Paris Chic, Tehran Thrills: Aesthetic Bodies, Political Subjects |
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Page 7
... ready-to-wear' citizenship”? If yes, then look also for the other genuine findings of this rich book! VINTILĂ MIHĂILESCU Introduction The (co-)Motion of Aesthetics from France to the Middle UNDRESSING THE SOCIAL BODY. 7.
... ready-to-wear' citizenship”? If yes, then look also for the other genuine findings of this rich book! VINTILĂ MIHĂILESCU Introduction The (co-)Motion of Aesthetics from France to the Middle UNDRESSING THE SOCIAL BODY. 7.
Page 14
... dress, since dress and body are in a symbiotic relationship. As my own body moved between Paris and Tehran, I was forced ... ready-to-wear features a large choice of clothing items that are close to the body, centered, reducing the space ...
... dress, since dress and body are in a symbiotic relationship. As my own body moved between Paris and Tehran, I was forced ... ready-to-wear features a large choice of clothing items that are close to the body, centered, reducing the space ...
Page 49
... couture and ready-to-wear (prêt-àporter). Couture refers to the luxury dress produced by designers who are more often than not considered also artists, and who lately have something of an aura of a superstar attached to.
... couture and ready-to-wear (prêt-àporter). Couture refers to the luxury dress produced by designers who are more often than not considered also artists, and who lately have something of an aura of a superstar attached to.
Page 52
... ready-to-wear line produced through subcontracting work in the sweatshops. The name/ brand license secured the success of the line. Associated with the image of the designer superstar, the couture houses can overprice the ready-to-wear ...
... ready-to-wear line produced through subcontracting work in the sweatshops. The name/ brand license secured the success of the line. Associated with the image of the designer superstar, the couture houses can overprice the ready-to-wear ...
Page 53
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aesthetic Azadeh boutiques brand name catwalk chador Chapter chavs clothing colors constitute construction consumption context copying create createurs culture discourse display dynamic ethnographic European exterior spaces fabric fashion designers fashion houses fashion industry fashion journal fashion practices fashion show Fashion TV fieldwork Figure gender haute couture headscarf hijab important individual inspiration interview Iran Iranian Islamic Revolution linked Lotous Mahla manto mantoha mark Middle East Middle Eastern clients mode models modern moral motion conduits Mozaique non-modern objects observation one’s organization Orientalism Paris and Tehran Parisian Parissa persons photographer political present production public spaces Qajar ready-to-wear regimes of dress relation representation Reza Reza Shah Said’s season Shadi shari’a showroom spatial specific street style subjectivation Tehran tion urban spaces veil wearing Western woman women women’s bodies workshop young Yves Saint Laurent Zoroastrian
Popular passages
Page 49 - Are most select and generous, chief in that. Neither a borrower nor a lender be ; For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. This above all : to thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man.
Page 37 - means are after all means.' I would say 'means are after all everything.' As the means so the end. There is no wall of separation between means and end. Indeed the Creator has given us control (and that too very limited) over means, none over the end. Realization of the goal is in exact proportion to that of the means. This is a proposition that admits of no exception.
Page 76 - But what might be called a society's "threshold of modernity" has been reached when the life of the species is wagered on its own political strategies. For millennia, man remained what he was for Aristotle: a living animal with the additional capacity for a political existence; modern man is an animal whose politics places his existence as a living being in question.
Page 24 - The individual is no doubt the fictitious atom of an 'ideological' representation of society; but he is also a reality fabricated by this specific technology of power that I have called 'discipline'. We must cease once and for all to describe the effects of power in negative terms: it 'excludes', it 'represses', it 'censors', it 'abstracts', it 'masks', it 'conceals'.
Page 115 - Panopticon must not be understood as a dream building: it is the diagram of a mechanism of power reduced to its ideal form; its functioning, abstracted from any obstacle, resistance or friction, must be represented as a pure architectural and optical system: it is in fact a figure of political technology that may and must be detached from any specific use.
Page 37 - means may be likened to a seed, the end to a tree, and there is the same inviolable connection between the means and the end as there is between the seed and the...
Page 23 - ... centered on the body as a machine: its disciplining, the optimization of its capabilities, the extortion of its forces, the parallel increase of its usefulness and its docility, its integration into systems of efficient and economic controls, all this was ensured by the procedures of power that characterized the disciplines: an anatomo-politics of the human body.
Page 23 - In concrete terms, starting in the seventeenth century, this power over life evolved in two basic forms; these forms were not antithetical, however; they constituted rather two poles of development linked together by a whole intermediary cluster of relations. One of these poles - the first to be formed, it seems - centered on the body as a machine: its disciplining, the optimization of its capabilities, the extortion of its forces, the parallel increase of its usefulness and its docility, its integration...
Page 95 - What, then, is truth? A mobile army of metaphors, metonyms, and anthropomorphisms — in short, a sum of human relations, which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people: truths are illusions about which one has forgotten that this is what they are...
Page 36 - Multi-sited research is designed around chains, paths, threads, conjunctions, or juxtapositions of locations in which the ethnographer establishes some form of literal, physical presence, with an explicit, posited logic of association or connection among sites that in fact defines the argument of the ethnography.