Journeys Through Bookland: A New and Original Plan for Reading, Applied to the World's Best Literature for Children, Volume 1Bellows-Reeve Company, 1909 - Anthologies |
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Page v
... Color Composition 38 39 41 42 Application of Principles . Atmosphere and Perspective . Pippa Passes the House of Jules Pictures and Their Value in Literature On the Use of Pictures in Journeys . Daffy - Down - Dilly My Bed is a Boat ...
... Color Composition 38 39 41 42 Application of Principles . Atmosphere and Perspective . Pippa Passes the House of Jules Pictures and Their Value in Literature On the Use of Pictures in Journeys . Daffy - Down - Dilly My Bed is a Boat ...
Page 38
... color and by composition . We may consider these characteristics one by one . a . Line . We define the boundaries of ob- jects and limit space by means of lines , and the use of lines constitutes drawing in pictures . These lines so ...
... color and by composition . We may consider these characteristics one by one . a . Line . We define the boundaries of ob- jects and limit space by means of lines , and the use of lines constitutes drawing in pictures . These lines so ...
Page 39
... color . The leaves are not separately limited by lines and yet we know that leaves are there . If the artist drew each leaf separately and accurately the general effect would be extremely unnatural and instead of a tree we should see ...
... color . The leaves are not separately limited by lines and yet we know that leaves are there . If the artist drew each leaf separately and accurately the general effect would be extremely unnatural and instead of a tree we should see ...
Page 40
... color values are the lights and shades of which we are speaking . There will be one point of highest light and an opposing point of deepest shadow , and upon the proper arrangement of these as well as upon the patches of minor ...
... color values are the lights and shades of which we are speaking . There will be one point of highest light and an opposing point of deepest shadow , and upon the proper arrangement of these as well as upon the patches of minor ...
Page 41
... color or shadow . C. Tone and Color . The first thing that seizes the eye in a painting is color , and the brightest , gayest colors are the ones that are most liable to attract . In fact they are the only colors that the inexperienced ...
... color or shadow . C. Tone and Color . The first thing that seizes the eye in a painting is color , and the brightest , gayest colors are the ones that are most liable to attract . In fact they are the only colors that the inexperienced ...
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appear Arthur artist battle Baucis and Philemon beautiful Bedivere begin bird Blynken Brown Thrush Cæsar called Canoe Race character child Cinderella cloud color Crow Drummer English essay eyes fable facts fairy fairy tales father feel figures flowers Gelert Gettysburg Address girls give Hervé Riel idea imagination incidents inspiration interest Journeys Through Bookland Julius Cæsar King King Arthur lessons light lines literature lives look lyric masterpieces meaning mind mother nature never night nursery rhymes paragraph parent person phrases picture plot poem poet poetry prose questions reader Robin Hood scenes selections sentence song stanza story style talk teacher teaching tell things thou thought tion trees VIII Volume VII Warren Hastings Water Baby Wee Willie Winkie wind words write written young