danger. Bad books or bad methods of reading good books lead the reader's mind astray or stimulate a destructive imagination that affects character forever; but good books and right methods of reading make the soul sensitive to right and wrong, improve the mind, inspire to higher ideals and lead to loftier effort.

Here is the one fertile field wherein teacher, parent and every other person interested in the welfare of children and youth may meet and work together in the noblest cause God ever gave us the grace to see.

"I have a notion," said Benjamin Harrison, "that children are about the only people we can do anything for. When we get to be men and women we are either spoiled or improved. The work is done.” One of the best things we can do is to create a taste for good reading and cultivate a habit of reading in the right manner. It is an

easy and a delightful task.

How may parents do it? Let them live with their children in the realm the little ones love. Let them read the fairy tales, the myths, the stories, the history that childhood appreciates, not in a spirit of criticism or in the role of a dictator but as a child of a little larger growth, a man or woman with a youthful mind.

How may teachers assist? By so teaching that reading becomes an inspiration in itself; that only mastery contents; that beauty, high sentiment, lofty ideals may be found and followed; by making the reading recitation the one delightful hour of the day.

Vol. XI.-2.

If any mature person at home can spend each week a few hours in reading and talking with the children about what has been read he will be surprised to find how lightly the time passes and how quickly his own cares and anxieties are dissipated. He will find greater delight than he has ever known in the society of his equals; and the younger ones, whose minds glow with helpful curiosity and absorbing interest will be kept to that extent from the street and its attractions, while at the same time they are learning those things that count for most in life's great battle. Let no one feel in the least uncertain of his power to interest and delight. Let him have no hesitation in joining in with the children, in meeting them on their level and in sharing thought and feeling with them. By being a child himself he most easily makes of himself a wise and inspiring leader.

CHAPTER II

JOURNEYS THROUGH BOOKLAND-ITS CON

TENTS AND PLAN

JOURNEYS Through Bookland is what the title signifies, a series of excursions into the field of the world's greatest literature. Accordingly, the base of the work is laid in those great classics that, since first they found expression in words, have been the education and inspiration of man. But these excursions are taken hand-inhand with a leader, whose province it is to explain, to interpret, to guide and to direct. Suiting his labors to the age and acquirement of the readers he helps them all from the child halting in his early attempts to interpret the printed page to the high school or college student who wishes to master the innermost secrets of literature. In no small sense is this leadership a labor of love, for it follows an experience of twenty years of personal instruction in the public schools and among the teachers of the country.

Journeys Through Bookland must be considered as a unit; for one plan, one purpose, controls from the first page of the first volume to the last page of the tenth. The literary selections were not chosen haphazard nor were they graded and arranged after any ordinary plan. In this respect they differ in character and arrangement

from the selections in any other work now upon the market.

Moreover, the notes, interpretations, original articles and multifarious helps are an integral part of the work and are inseparable from it. In this respect again, is the set original and unique.

Further, the pictures, of which there are many hundreds, were drawn or painted expressly for Journeys Through Bookland and are as much a part of the general scheme as any other help to appreciation. Again, the type page, the decorations, the paper, binding and endsheets, all combine to give an artistic setting to literary masterpieces and a stimulating atmosphere for literary study.

The masterpieces which make the field of the Journeys naturally fall into three classes. First, there is the literature of culture, those things which you and I and everybody must know if we expect to be considered educated or to be able to read with intelligence and appreciation the current writings of the day. To this class belong all those nursery rhymes, lyrics, classic myths, legends and so on to which allusion is constantly made and which are themselves the legal tender of polite and cultured conversation. Next, there are those selections whose power lies in the profound influence they exert upon the unfolding character of boy or girl. As a child readeth so is he. Masterpieces of this type abound in the books and it is by means of them that the author hopes and expects to exert his greatest influence upon his unknown friends among the children.

The third group consists of the masterpieces which lend interest to school work and make it pleasanter, easier and more profitable. It is what some may call the practical side of literature. It is what, at first, appeals most strongly to those who have read little, but which ultimately appears of less value than the influence of cultural and character-building literature.

Any treatment of Journeys that is worthy of the name must consider the masterpieces themselves in their three great functions, as well as the devices by which the selections are made effective.

1. The Masterpieces

HE table of contents at the beginning of each volume shows a wide selection of the best things that have ever been written for children-not always the new things, but always the best things for the purpose. The masterpieces are the tried and true ones that have long been popular with children and have formed a large part of the literary education of the race.

There are a host of complete masterpieces and many selections from other works which are too long to print here or which are otherwise unavailable. It has often happened that something written for older heads and for serious purposes has in it some of the most charming and helpful things for the young. For instance, Gulliver's Travels is a political satire, and as such it is long since dead. Yet parts of it make