History in ruins, letters1853 |
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Page 61
... ornaments , which are common in Greek works , were employed very generally in Egyptian decoration . The extent to which sculpture was employed is shown by this , that Cambyses is said to have taken 2,500 statues from Egypt . Great ...
... ornaments , which are common in Greek works , were employed very generally in Egyptian decoration . The extent to which sculpture was employed is shown by this , that Cambyses is said to have taken 2,500 statues from Egypt . Great ...
Page 63
... ornaments , and you will find the capitals of some of their columns very closely resembling both the " Ionic " and the " Corinthian " capitals of the Greeks , concerning which I shall have to speak presently . The lotus flower ...
... ornaments , and you will find the capitals of some of their columns very closely resembling both the " Ionic " and the " Corinthian " capitals of the Greeks , concerning which I shall have to speak presently . The lotus flower ...
Page 64
... ornament occurring indifferently in the spaces and over the face of each reed . Thus it is that by mere imitation , the spirit , truth , and completeness of a real architecture are lost , and a medley of sham , lifeless and unmeaning ...
... ornament occurring indifferently in the spaces and over the face of each reed . Thus it is that by mere imitation , the spirit , truth , and completeness of a real architecture are lost , and a medley of sham , lifeless and unmeaning ...
Page 70
... ornaments which decompose it . As Gwilt re- marks , quoting the Encyclopédie Méthodique , - “ In the Egyptian architecture , even the smallest edifices are grand ; in that of India , the infinite subdivision into parts gives an air of ...
... ornaments which decompose it . As Gwilt re- marks , quoting the Encyclopédie Méthodique , - “ In the Egyptian architecture , even the smallest edifices are grand ; in that of India , the infinite subdivision into parts gives an air of ...
Page 80
... ornament called a triglyph ( from being sculptured with two whole and two half glyphs or channels ) , which is seen above the columns in the sketch ; and the end of the inclined rafters of the roof originated another ornament above each ...
... ornament called a triglyph ( from being sculptured with two whole and two half glyphs or channels ) , which is seen above the columns in the sketch ; and the end of the inclined rafters of the roof originated another ornament above each ...
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adorned afford Alcamenes amongst ancient antiquity arches archi architects architecture artists Assyria Athens Basilica beauty bricks British Museum buildings built called caryatides caryatides Castle Cathedral century chambers churches colours columns connection construction Corinthian curious Decorated Diana doorway Doric Doric order earliest early edifices Egypt Egyptian Egyptian pyramids endeavour England enormous entablature erected Etruria example excavations extraordinary feet high feet long front Gothic Gothic architecture Grecian Greece Greek height Herodotus houses imitated Inigo Inigo Jones interesting interlaced arches Ionic king LETTER London magnificence marble ment modern monuments mouldings nations noble Norman obelisk ornament painted palaces Parthenon perfect period Phidias pillars Pointed style portico produced pyramids reign remains Roman Rome roof ruins Saxon says sculptured sepulchre Solomon's Temple speak statues Stonehenge story structures tecture tomb tower triangular arch triglyph ture upright stones Vitruvius walls whole wonderful writers
Popular passages
Page 189 - You show us Rome was glorious, not profuse, And pompous buildings once were things of use; Yet shall, my lord, your just, your noble rules, Fill half the land with imitating fools ; Who random drawings from your sheets shall take; And of one beauty many blunders make...
Page 35 - Time sadly overcometh all things, and is now dominant, and sitteth upon a sphinx, and looketh unto Memphis and old Thebes, while his sister Oblivion reclineth semisomnous on a pyramid, gloriously triumphing, making puzzles of Titanian erections, and turning old glories into dreams. History sinketh beneath her cloud. The traveller as he paceth amazedly through those deserts asketh of her, who builded them ? and she mumbleth something, but what it is he heareth not.
Page 71 - And yet how lovely in thine age of woe, Land of lost gods and godlike men, art thou!
Page 103 - But when the rising moon begins to climb Its topmost arch, and gently pauses there ; When the stars twinkle through the loops of time, And the low night-breeze waves along the air The...
Page 21 - Behold yon huge And unhewn sphere of living adamant, Which, poised by magic, rests its central weight On yonder pointed rock : firm as it seems, Such is its strange and virtuous property, It moves obsequious to the gentlest touch Of him whose breast is pure ; but to a traitor, Though e'en a giant's prowess nerved his arm, It stands as fixed as Snowdon.
Page 156 - Streaming from off the sun like seraph's wings, Now yawns all desolate: now loud, now fainter, The gale sweeps through its fretwork, and oft sings The owl his anthem, where the silenced quire Lie with their hallelujahs quench'd like fire.
Page 47 - Memphis, was buried one hundred and thirty feet below the mound surface. Who knows but that the greater part of old Memphis, and of other glorious cities, lies almost unharmed under the sand? Who can say what armies of sphinxes, what sentinels of colossi, might start up on the banks of the river, or come forth from the hill sides of the interior, when the cloud of sand had been wafted away?
Page 30 - Then David gave to Solomon his son the pattern of the porch, and of the houses thereof, and of the treasuries thereof, and of the upper chambers thereof, and of the inner parlours thereof, and of the place of the mercy seat, 12 And the pattern of all that he had by the spirit...
Page 36 - Dupin says, that if it were required to know how long a time they would take to cut the stones and move them from the quarries to the pyramid, a very few days would...
Page 103 - It will not bear the brightness of the day, Which streams too much on all years, man, have reft away.