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Page 12
The judicious addition of circumstances and adjuncts is what renders poesy a
more lively imitation of nature than prose . Pope has been happy in introducing
the following circumstance : the prophet says , “ The parched ground shall “
become ...
The judicious addition of circumstances and adjuncts is what renders poesy a
more lively imitation of nature than prose . Pope has been happy in introducing
the following circumstance : the prophet says , “ The parched ground shall “
become ...
Page 34
This circumstance would have been sufficient , as it raised our pity from a motive
of gratitude ; but with this circumstance the tender Virgil was not content ; what he
adds therefore of the natural undeviating temperance of the animal , who ...
This circumstance would have been sufficient , as it raised our pity from a motive
of gratitude ; but with this circumstance the tender Virgil was not content ; what he
adds therefore of the natural undeviating temperance of the animal , who ...
Page 42
repetition of the same circumstances ; hence that disgusting impropriety of
introducing what may be called a set of hereditary images , without proper regard
to the age , or climate , or occasion , in which they were formerly used . Though
the ...
repetition of the same circumstances ; hence that disgusting impropriety of
introducing what may be called a set of hereditary images , without proper regard
to the age , or climate , or occasion , in which they were formerly used . Though
the ...
Page 47
of Carthagena , he has used a circumstance inimitably lively , picturesque , and
striking to the imagination ; for he says that the admiral not only heard the groans
of the fick that echoed from ship to ship , but that he also pensively stood , and ...
of Carthagena , he has used a circumstance inimitably lively , picturesque , and
striking to the imagination ; for he says that the admiral not only heard the groans
of the fick that echoed from ship to ship , but that he also pensively stood , and ...
Page 313
She next reminds Abelard of the folemnity of her taking the veil , from verse one
hundred and fix , to one hundred and eighteen , which are highly beautiful ,
particularly these circumstances attending the riteAs with cold lips I kiss ' d the
sacred ...
She next reminds Abelard of the folemnity of her taking the veil , from verse one
hundred and fix , to one hundred and eighteen , which are highly beautiful ,
particularly these circumstances attending the riteAs with cold lips I kiss ' d the
sacred ...
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An Essay on the Genius and Writings of Pope, Vol. 2 (Classic Reprint) Joseph Warton No preview available - 2016 |
Common terms and phrases
admirable affected alſo ancient appear beautiful beſt Boileau called Cant celebrated character circumſtance compoſition Corneille critics deſcribed deſcription Dryden elegant equal excellent eyes firſt French frequently genius give given hand himſelf Homer images imagination imitated introduced Italy juſt kind king language laſt lately learned letters lines lively manner means mentioned method Milton mind moſt muſic muſt nature never numbers object obſervations occaſion once painted particularly paſſage paſſion pathetic perhaps perſon piece pleaſing poem poet poetical poetry Pope produced Racine reader remarks repreſent rules ſaid ſame ſatire ſays ſcene ſee ſeems ſentiments ſhall ſhe ſhould ſome ſpeak ſpecies ſpirit ſtory ſtrokes ſubject ſuch taken taſte theſe thing thoſe thought tions tragedy tranſlated true turn uſed verſes Virgil whole whoſe writing written
Popular passages
Page 40 - Pollute with sinful blame, The saintly veil of maiden white to throw; Confounded, that her Maker's eyes Should look so near upon her foul deformities.
Page 225 - Where the bee sucks, there suck I; In a cowslip's bell I lie: There I couch when owls do cry. On the bat's back I do fly, After summer, merrily : Merrily, merrily, shall I live now, Under the blossom that hangs on the bough.
Page 310 - How oft, when press'd to marriage, have I said, Curse on all laws but those which love has made! Love, free as air, at sight of human ties, Spreads his light wings, and in a moment flies...
Page 314 - Ah no! instruct me other joys to prize, With other beauties charm my partial eyes, Full in my view set all the bright abode, And make my soul quit Abelard for God.
Page 134 - ... faces to make one excellent. Such personages, I think, would please nobody but the painter that made them ; not but I think a painter may make a better face than ever was ; but he must do it by a kind of felicity, (as a musician that maketh an excellent air in music,) and not by rule.
Page 38 - The oracles are dumb; No voice or hideous hum Runs through the arched roof in words deceiving. Apollo from his shrine Can no more divine, With hollow shriek the steep of Delphos leaving: No nightly trance or breathed spell Inspires the pale-eyed priest from the prophetic cell.
Page 13 - See a long race thy spacious courts adorn ; See future sons, and daughters yet unborn, In crowding ranks on every side arise, Demanding life, impatient for the skies ! See barbarous nations at thy gates attend, Walk in thy light, and in thy temple bend...
Page 184 - But see! each Muse, in Leo's golden days, Starts from her trance, and trims her wither'd bays! Rome's ancient Genius, o'er its ruins spread, Shakes off the dust, and rears his rev'rend head. Then Sculpture and her sister-arts revive; Stones leap'd to form, and rocks began to live; With sweeter notes each rising Temple rung; A Raphael painted, and a Vida sung.
Page 97 - The Art of Criticism, which was published some months since, and is a master-piece in its kind. The observations follow one another like those in Horace's Art of Poetry, without that methodical regularity which would have been requisite in a prose author.
Page 153 - Where a new world leaps out at his command, And ready nature waits upon his hand ; When the ripe colours soften and unite, And sweetly melt into just shade and light ; When mellowing years their full perfection give( And each bold figure just begins to live, The treacherous colours the fair art betray, And all the bright creation fades away...
Bibliographic information
| Title | An Essay on the Genius and Writings of Pope ... Volume 1 of An Essay on the Genius and Writings of Pope, Joseph Warton |
| Author | Joseph Warton |
| Edition | 2 |
| Publisher | R. and J. Dodsley, 1762 |
| Original from | the New York Public Library |
| Digitized | 15 Nov 2006 |
| Export Citation | BiBTeX EndNote RefMan |