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... Pope , Byron . 9. Stoehsel , K. Byron's Trauerspiel " Werner " 1891 10. Thiergen , 0. Byron's und Moore's orientalische Gedichte . Eine Parallele . 1880 11. Weiser , C. en . Pope's Einfluss auf Byron's Jugenddichtung- 1877 Byron's ...
... Pope , Byron . 9. Stoehsel , K. Byron's Trauerspiel " Werner " 1891 10. Thiergen , 0. Byron's und Moore's orientalische Gedichte . Eine Parallele . 1880 11. Weiser , C. en . Pope's Einfluss auf Byron's Jugenddichtung- 1877 Byron's ...
Page 41
... Pope goes still further describing his own ideal and that of unhappy literary men , and asserts that ,, To follow poetry as one ought one must forget father and mother and cleave to it alone " . Fortunately there are many examples which ...
... Pope goes still further describing his own ideal and that of unhappy literary men , and asserts that ,, To follow poetry as one ought one must forget father and mother and cleave to it alone " . Fortunately there are many examples which ...
Page 46
... Pope : Byron however introduced a style of his own . Stopford A. Brooke in his English Literature " *** ) says of Byron that there was something in his writings of the school of Pope , but that he be- longed partly to the past and ...
... Pope : Byron however introduced a style of his own . Stopford A. Brooke in his English Literature " *** ) says of Byron that there was something in his writings of the school of Pope , but that he be- longed partly to the past and ...
Page 62
... Pope is what the world generally erroneously , in my opinion " he adds ,, and from a con- fusion of ideas , esteems correct " . The same writer referring by name to Parnell , Addison , and Pope writes . Ninety - nine persons out of a ...
... Pope is what the world generally erroneously , in my opinion " he adds ,, and from a con- fusion of ideas , esteems correct " . The same writer referring by name to Parnell , Addison , and Pope writes . Ninety - nine persons out of a ...
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Common terms and phrases
Aholibamah Amkg Anah anders beiden besonders Bride of Abydos Bulwer Cadurcis Cain character Childe Harold Corsair denen Dichter Dichtung Dichtungen Don Juan drama Edinburgh Review Einfluss Engel England English erst ersten finden Fluth Gedanken Gedichte Gedichten Geist Geister genius gerade Giaour gleich Gott Grunde habe Heaven Helden Hunt Idenstein jahre Japhet jetzt können könnte kritik Lady Annabel Lara lässt Leben Leigh Lett letter Liebe London Lord Byron macht Manfred Mary Wollstonecraft Shelley Medwin Menschen Miss Lee Moore a. a. o. p. Moore's Murray muss Namen Noah O'Neill O'Neill III orientalischen poem poet poetry Pope Reim Review sagt scheint Schilderung schon schreibt sein seinen Shakespeare Shelley Shelley's Siege of Corinth Siegendorf soll Southey später sprache spricht Stelle Stellen Stralenheim thee Theil thou Venetia verse viel Weise weiter wenig Werke Werner wieder wohl words Worte wurde zeigt Zeilen Zeit zwei
Popular passages
Page 34 - To sit on rocks, to muse o'er flood and fell, To slowly trace the forest's shady scene, Where things that own not man's dominion dwell, And mortal foot hath ne'er or rarely been ; To climb the trackless mountain all unseen, With the wild flock that never needs a fold ; Alone o'er steeps and foaming falls to lean ; This is not solitude; 'tis but to hold Converse with Nature's charms, and view her stores unroll'd.
Page 45 - He, who grown aged in this world of woe, In deeds, not years, piercing the depths of life, So that no wonder waits him ; nor below Can love, or sorrow, fame, ambition, strife, Cut to his heart again with the keen knife Of silent sharp endurance : he can tell Why thought seeks refuge in lone caves, yet rife With airy images, and shapes which dwell Still...
Page 34 - WHEN he, who adores thee, has left but the name Of his fault and his sorrows behind, Oh ! say wilt thou weep, when they darken the fame Of a life that for thee was resign'd...
Page 9 - Tis to create, and in creating live A being more intense, that we endow With form our fancy, gaining as we give The life we image, even as I do now.
Page 34 - midst the crowd, the hum, the shock of men, To hear, to see, to feel, and to possess, And roam along, the world's tired denizen, With none who bless us, none whom we can bless ; Minions of splendour shrinking from distress ! None that, with kindred consciousness endued, If we were not, would seem to smile the less Of all that flatter'd, follow'd, sought and sued ; This is to be alone ; this, this is solitude ! XXVII.
Page 11 - ... so vast a command of the whole eloquence of scorn, misanthropy and despair. That Marah was never dry. No art could sweeten, no draughts could exhaust, its perennial waters of bitterness. Never was there such variety in monotony as that of Byron. From maniac laughter to piercing lamentation, there was not a single note of human anguish of which he was not master.
Page 22 - Roll on, thou deep and dark blue Ocean — roll [ Ten thousand fleets sweep over thee in vain ; Man marks the earth with ruin — his control Stops with the shore ; — upon the watery plain The wrecks are all thy deed...
Page 9 - She was like me in lineaments — her eyes, Her hair, her features, all, to the very tone Even of her voice, they said were like to mine; But soften'd all, and temper'd into beauty; She had the same lone thoughts and wanderings, The quest of hidden knowledge, and a mind To comprehend the universe : nor these Alone, but with them gentler powers than mine, Pity, and smiles, and tears...
Page 21 - Its gaudy colours spreads on every place ; The face of nature we no more survey, All glares alike, without distinction gay ; But true expression, like th' unchanging sun, Clears and improves whate'er it shines upon ; It gilds all objects, but it alters none.
Page 34 - She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.