Enter Lear, with Cordelia dead in his arms. Lear. Howl, bowl, howl, howl,--O you are men of ftone, Had I your tongues and eyes, I'd use them fo, That heaven's vault should crack: fhe's gone for ever! If that her breath will mist or ftain the ftone, Kent. Is this the promis'd end? Lear. This feather firs, fhe lives; if it be fo, It is a chance which does redeem all forrows, That ever I have felt. Kent. O my good mafter ! Lear. Pr'ythee, away-- friend. [Kneeling. Lear. A plague upon you, murd'rous traitors all! I might have fav'd her; now fhe's gone for ever! Cordelia, Cordelia, ftay a little. Ha! What is't thou fay'ft ? her voice was ever soft, Lear. Did I not, fellow ? I've feen the day, with my good biting faulchion Lear. Are you not Kent ? Kent. The fame; your fervant Kent; Where is your fervant Caius? Lear. 'Twas a good fellow, I can tell you that, (62) He'd ftrike, and quickly too:-he's dead and rotten. (62) He's a good fellor, I can tell you that, He'll ftrike and quickly too: he's dead and rotten.] We have seen Lear mad; but, never, a ftark fool till this moment; to tell us, that a dead and rotten man will ftrike quickly. But it was a stupidity of the editors, and not chargeable on the poet. Kent. Kent. No, my good Lord, I am the very man,- Kent. That, from your first of difference and decay, Have follow'd your fad steps Lear. You're welcome hither. Kent. Nor no man elfe ;--all's cheerlefs, dark, and dead Your eldest daughters have fore-done themselves, And defp'rately are dead. Lear. Ay, fo I think. Alb. He knows not what he fays; and vain is it, That we prefent us to him. Edg. Very bootlefs.. Enter a Meffenger. Mef. Edmund is dead, my Alb. That's but a trifle. Lord. You Lords and noble friends, know our intent To him our abfolute power to you, your rights, [To Edgar With boot, and fuch addition as your honours Have more than merited. All friends fhall tafte The wages of their virtue, and all foes The cup of their defervings: O see, see Lear. And my poor fool is hang'd: no, no, no life. Why fhould a dog, a horfe, a rat have life, never And thou no breath at all? thou'lt come no more, Thank you, Sir; Edg. (63) Do you fee this? look on her, look on her lips; Look there, look there.-] Our poet has taken the liberty in the catastrophe of this play to depart from the Chronicles; in which Lear is faid to be reinstated in his throne by Cordelia, and to have reign'd upwards of two years after his reftoration. He might have done this for two reafons. Either, to heighten the compaffion towards the poor old King or to vary from another, but moft execrable, dramatic: performance Edg. Edg. He faints; my Lord, Kent. Break heart, I pr'ythee, break! performance upon this ftory: which I certainly believe to have preceded our author's piece, and which none of our ftage-historians appear to have had any knowledge of. The edition, which I have of it, bears this title. The true chronicle hiftory of King LEIR, and bis three daughters, Gonorill, Ragan, and Cordella. As it hath bene divers and fundry times lately acted. London; printed by Simon Stafford for John Wright, and are to be fold at his fhop at Chriftes Church dore next Newgate Market. 1605. That Shakespeare, however, may ftand acquitted from the leaft fufpicion of plagiarism, in the opinion of his readers, I'll fubjoin a small taste of this other anonymous author's abilities both in conduct and diction. Leir, with one Perillus his friend, embarks for France to try what reception he should find from his daughter Cordella. When they come afhore, neither of them has a rag of money and they are forced to give their cloaks to the mariners to pay for their paffage. This, no doubt, our playwright intended for a mastery in diftrefs: as he must think it a notable fetch of invention to bring the King and Queen of France difguis'd like rufticks, travelling a long way on foot into the woods, with a basket of provifions, only that they may have the cafual opportunity of relieving Leir and Perillus from being ftarv'd. Now for a little fpecimen of ftyle, and dignity of thinking. Cordella, now Queen of France, and in her own palace, comes in and makes this pathetick foliloquy, I have been over negligent to day Edg. Look up, my Lord. Kent. Vex not his ghoft: O, let him pafs! he hates him, That would upon the rack of this rough world Stretch him out longer. Edg. He is gone, indeed. Kent. The wonder is, he hath endur'd fo long: Alb. Bear them from hence, our prefent business [Dies. Alb. The weight of this fad time we must obey, (64) Speak what we feel, not what we ought to say. The oldest hath borne moft; we, that are young, Shall never fee fo much, nor live fo long. [Exeunt with a dead march. So he but to forgive me once would please, [Exit. I will to church, and pray unto my Saviour, That, e'er I die, I may obtain his favour. This is, furely, fuch poetry as 'one might hammer out, Stans pede in uno; or, as our author fays, "it is the right butter-woman's rank to market and a man might verfify you fo eight years together, "dinners, and fuppers, and fleeping hours excepted.". -Again, Shakespeare was too well vers'd in Holingshead not to know, that King Lear reign'd above 800 years before the period of chriftianity. The gods his King talks of are Jupiter, Juno, Apollo; and not any deities more modern than his own time, Licentious as he was in anachronifms, he would have judg'd it an unpardonable abfurdity to have made a Briton of Cordella's time talk of her Saviour. And his not being trapt into fuch ridiculous flips of ignorance, feems a plain proof to me that he ftole neither from his predeceffors, nor contemporaries of the English theatre, both which abounded in them. (64) Alb. The weight of this fad time, &c.] This speech from the authority of the old 4to is rightly plac'd to Albany: in the edition by the players it is given to Edgar, by whom, I doubt not, it was of cuftom spoken. And the cafe was this: He who play'd Edgar, being a more favourite actor, than he who perfonated Albany; in fpight of decorum, it was thought proper he should have the last word. I |