The Romantic Genesis of the Modern Novel |
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aesthetic appearance aspects becomes begin calls century chapter characters Charlotte complete concern Conrad consciousness consider continuity create critical death discussion effect examination experience express fact feel fiction Frankenstein freedom function further give Heart of Darkness Henry James human idea imagination implied important inner intensity James James's Jim's Joseph judgment kind Kurtz Langbaum literature lives logic look Lord Jim lyric Maggie Marlow meaning Milly mind Modern Novel moral mystery narrative narrator nature never notes novelists object offers organic participation past perhaps persona poem poetry position Press question reader reality references relationship remarks Romantic form Romantic Genesis Romantic poets Romanticism seeks seems sense significance similar speaks standards story structure suggests symbolic sympathy tells things thought tion traditional truth turn Univ values Virginia Woolf vision whole Wings writers York