L.

PAULA.

WOMAN AS FRIEND.

THE subject of this lecture is Paula, an illustrious

Roman lady of rank and wealth, whose remarka

ble friendship for Saint Jerome, in the latter part of the fourth century, has made her historical. If to her we do not date the first great change in the social relations of man with woman, yet she is the most memorable example that I can find of that exalted sentiment which Christianity called out in the intercourse of the sexes, and which has done more for the elevation of society than any other sentiment except that of religion itself.

Female friendship, however, must ever have adorned and cheered the world; it naturally springs from the depths of a woman's soul. However dark and dismal society may have been under the withering influences of Paganism, it is probable that glorious instances could be chronicled of the devotion of woman to man and of man to woman, which was not intensified by the passion

of love. Nevertheless, the condition of women in the Pagan world, even with all the influences of civilization, was unfavorable to that sentiment which is such a charm in social life.

The Pagan woman belonged to her husband or her father rather than to herself. As more fully shown in the discussion of Cleopatra, she was universally regarded as inferior to man, and made to be his slave. She was miserably educated; she was secluded from intercourse with strangers; she was shut up in her home; she was given in marriage without her consent; she was guarded by female slaves; she was valued chiefly as a domestic servant, or as an animal to prevent the extinction of families; she was seldom honored; she was doomed to household drudgeries as if she were capable of nothing higher; in short, her lot was hard, because it was unequal, humiliating, and sometimes degrading, making her to be either timorous, frivolous, or artful. Her amusements were trivial, her taste vitiated, her education neglected, her rights violated, her aspirations scorned. The poets represented her as capricious, fickle, and false. She rose only to fall; she lived only to die. She was a victim, a toy, or a slave. Bedizened or burdened, she was either an object of degrading admiration or of cold neglect.

The Jewish women seem to have been more favored and honored than women were in Greece or Rome, even

in the highest periods of their civilization. But in Jewish history woman was the coy maiden, or the vigilant housekeeper, or the ambitious mother, or the intriguing wife, or the obedient daughter, or the patriotic songstress, rather than the sympathetic friend. Though we admire the beautiful Rachel, or the heroic Deborah, or the virtuous Abigail, or the affectionate Ruth, or the fortunate Esther, or the brave Judith, or the generous Shunamite, we do not find in the Rachels and Esthers the hallowed ministrations of the Marys, the Marthas and the Phoebes, until Christianity had developed the virtues of the heart and kindled the loftier sentiments of the soul. Then woman became not merely the gentle nurse and the prudent housewife and the disinterested lover, but a friend, an angel of consolation, the equal of man in character, and his superior in the virtues of the heart and soul. It was not till then that she was seen to have those qualities which extort veneration, and call out the deepest sympathy, whenever life is divested of its demoralizing egotisms. The original beatitudes of the Garden of Eden returned, and man awoke from the deep sleep of four thousand years, to discover, with Adam, that woman was a partner for whom he should resign all the other attachments of life; and she became his star of worship and his guardian angel amid the entanglements of sin and cares of toil.

I would not assert that there were not noble exceptions to the frivolities and slaveries to which women were generally doomed in Pagan Greece and Rome. Paganism records the fascinations of famous women who could allure the greatest statesmen and the wisest moralists to their charmed circle of admirers, — of women who united high intellectual culture with physical beauty. It tells us of Artemisia, who erected to her husband a mausoleum which was one of the wonders of the world; of Telesilla, the poetess, who saved Argos by her courage; of Hipparchia, who married a deformed and ugly cynic, in order that she might make attainments in learning and philosophy; of Phantasia, who wrote a poem on the Trojan war, which Homer himself did not disdain to utilize; of Sappho, who invented a new measure in lyric poetry, and who was so highly esteemed that her countrymen stamped their money with her image; of Volumnia, screening Rome from the vengeance of her angry son; of Servilia, parting with her jewels to secure her father's liberty; of Sulpicia, who fled from the luxuries of Rome to be a partner of the exile of her husband; of Hortensia, pleading for justice before the triumvirs in the marketplace; of Octavia, protecting the children of her rival Cleopatra; of Lucretia, destroying herself rather than survive the dishonor of her house; of Cornelia, inciting her sons, the Gracchi, to deeds of patriotism; and many