from his pen which derogates from the austere dignity of the priest.

But Héloïse was more human and less conventional. She had not conquered her love; once given, it could not be taken back. She accepted her dreary immolation in the convent, since she obeyed Abélard both as husband and as a spiritual father; but she would have left the convent and rejoined him had he demanded it, for marriage was to her more sacred than the veil. She was more emancipated from the ideas of her superstitious age than even the bold and rationalistic philosopher. With all her moral and Héloïse could not conquer her love.

spiritual elevation,

And, as a wedded She was both nun

wife, why should she conquer it? and wife. If fault there was, it was as wife, in immuring herself in a convent and denying the marriage. It should have been openly avowed; the denial of it placed her in a false position, as a fallen woman. Yet, as a fallen woman, she regained her position in the eyes of the world. She was a lady abbess. It was impossible for a woman to enjoy a higher position than the control of a convent. As abbess, she enjoyed the friendship and respect of some of the saintliest and greatest characters of the age, even of such a man as

Peter the Venerable, abbot of Cluny.

And it is im

possible that she should have won the friendship of such a man, if she herself had not been irreproachable

in her own character. The error in judging Héloïse is, that she, as nun, had no right to love. But the love existed long before she took the veil, and was consecrated by marriage, even though private. By the mediæval and conventional stand-point, it is true, the wife was lost in the nun. That is the view that Abelard took, that it was a sin to love his wife any longer. But Héloïse felt that it was no sin to love him who was her life. She continued to live in him who ruled over her, and to whose desire her will was subject and obedient, according to that eternal law declared in the garden of Eden.

Nor could this have been otherwise so long as Abélard retained the admiration of Héloïse, and was worthy of her devotion. We cannot tell what changes may have taken place in her soul had he been grovelling, or tyrannical, a slave of degrading habits, or had he treated her with cruel harshness, or ceased to sympathize with her sorrows, or transferred his affections to another object. But whatever love he had to give, he gave to her to the end, so far as the ideas of his

age would permit. His fault was in making a nun of his wife, which was in the eyes of the world' a virtual repudiation; even though, from a principle of sublime obedience and self-sacrifice, she consented to the separation. Was Josephine to blame because she loved a selfish man after she was repudiated? Héloïse was

simply unable to conquer a powerful love. It was not converted into hatred, because Abélard, in her eyes, seemed still to be worthy of it. She regarded him as a saint, forced by the ideas of his age to crush a mortal love, which she herself could not do, because it was

a sentiment, and sentiment is eternal. She was greater than Abelard, because her love was more permanent; in other words, because her soul was greater. In intellect he may have been superior to her, but not in the higher qualities which imply generosity, self-abnegation, and sympathy, qualities which are usually stronger in women than in men. In Abélard the lower faculties ambition, desire of knowledge, vanity-consumed the greater. He could be contented with the gratification of these, even as men of a still lower type can renounce intellectual pleasures for the sensual. It does not follow that Héloïse was weaker than he because she could not live outside the world of sentiment, but rather loftier and nobler. These higher faculties constituted her superiority to Abélard. It was sentiment which made her so pre-eminently great, and it was this which really endeared her to Abélard. By reason and will he ruled over her; but by the force of superior sentiment she ruled over him.

Sentiment, indeed, underlies everything that is great or lovely or enduring on this earth. It is the joy of festivals, the animating soul of patriotism, the bond

of families, the beauty of religious, political, and social institutions. It has consecrated Thermopyla, the Parthenon, the Capitol, the laurel crown, the conqueror's triumphal procession, the epics of Homer, the eloquence of Demosthenes, the muse of Virgil, the mediæval cathedral, the town-halls of Flanders, the colleges of Oxford and Cambridge, the struggles of the Puritans, the deeds of Gustavus Adolphus, the Marseilles hymn, the farewell address of Washington. There is no poetry without it, nor heroism, nor social banqueting. What is Christmas without the sentiments which hallow the evergreen, the anthem, the mistletoe, the family reunion? What is even tangible roast-beef and plum-pudding without a party to enjoy them; and what is the life of the party but the interchange of sentiments? Why is a cold sleigh-ride, or the ascent of a mountain, or a voyage across the Atlantic, or a rough journey under torrid suns to the consecrated places, — why are these endurable, and even pleasant? It is because the sentiments which prompt them are full of sweet and noble inspiration. The Last Supper, and Bethany, and the Sepulchre are immortal, because they testify eternal love. Leonidas lives in the heart of the world because he sacrificed himself to patriotism. The martyrs are objects of unfading veneration, because they died for Christianity.

In the same way Héloïse is embalmed in the affec

tions of all nations because she gave up everything for an exalted sentiment which so possessed her soul that neither scorn, nor pity, nor ascetic severities, nor gloomy isolation, nor ingratitude, nor a living death could eradicate or weaken it, an unbounded charity which covered with its veil the evils she could not remove. That all-pervading and all-conquering sentiment was the admiration of ideal virtues and beauties which her rapt and excited soul saw in her adored lover; such as Dante saw in his departed Beatrice. It was unbounded admiration for Abélard which first called out the love of Héloïse; and his undoubted brilliancy and greatness were exaggerated in her loving eyes by her imagination, even as mothers see in children traits that are hidden from all other mortal eyes. So lofty and godlike did he seem, amidst the plaudits of the schools, and his triumph over all the dignitaries that sought to humble him; so interesting was he to her by his wit, sarcasm, and eloquence, that she worshipped him, and deemed it the most exalted honor to possess exclusively his love in return, which he gave certainly to no one else. Satisfied that he, the greatest man of the world, as he seemed and as she was told he was, should give to her what she gave to him, she exulted in it as her highest glory. It was all in all to her; but not to him. See, then, how superior Héloïse was to Abelard in humility as well as self-abnegation.