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arranging these papers, a part of the letters which I have already mentioned will here find their proper place. They will give a much clearer idea both of Mr. Gray and his friend, at this early period, than any narrative of mine. They will include also several specimens of their juvenile compositions, and, at the same time, mark the progress they had made in literature. They will ascertain, not only the scope and turn of their genius, but of their temper. In a word, Mr. Gray will become his own biographer, both in this and the rest of the Sections, into which I divide this work. By which means, and by the assistance of a few notes which I shall occasionally add, it may be hoped that nothing will be omitted which may tend to give a regular and clear delineation of his life and character.

But as this is the earliest part of their correspondence, and includes only the time which passed between Mr. Gray's admission into the university and his going abroad, it may be reasonably expected, that the manner rather than the matter of these letters must constitute their principal merit; they will therefore be chiefly acceptable to such ingenuous youths, who, being about the same age, have a relish for the same studies, and bosoms susceptible of the same warmth of friend, ship. To these I address them; in the pleasing hope that they may prompt them to emulate their elegant simplicity, and, of course, to study with more care the classic models from which it was derived. If they do this, I shall not be much concerned if graver readers think them unimportant, or even trifling.


You use me very cruelly: you have sent me but one letter since I have been at Oxford, and that too agreeable not to make me sensible how great my loss is in not having more. Next to seeing you is the pleasure of seeing your handwriting ; next to hearing you is the pleasure of hearing from you. Really and sincerely I wonder at you, that you thought it not worth while to answer my last letter. I hope this will have better success in behalf of your quondam school-fellow ; in behalf of one who has walked hand in hand with you, like the two children in the wood,

Through many a flowery path and shelly grot,

Where learning lull’d us in her private* maze. The very thought, you see, tips my pen with poetry, and brings Eton to my view. Consider me very seriously here in a strange country, inhabited by things that call themselves Doctors and Masters of Arts; a country flowing with syllogisms and ale, where Horace and Virgil are equally unknown; consider me, I say, in this melancholy light, and then think if something be not due to

Your's. Christ Church, Nov. 14, 1735. P.S. I desire you will send me soon, and truly and positively, a historyt of your own time.

* This expression prettily distinguishes their studies when out of the publie school, which would naturally, at their age, be vague and desultory..

+ Alluding to his grandfather's history.


PERMIT me again to write to you, though I have so long neglected my duty, and forgive my brevity, when I tell you it is occasioned wholly by the hurry I am in to get to a place where I expect to meet with no other pleasure than the sight of you; for I am preparing for London in a few days at furthest. I do not wonder in the least at your frequent blaming my indolence, it ought rather to be called ingratitude, and I am obliged to your goodness for softening so harsh an appellation. When we meet it will, however, be my greatest of pleasures to know what you do, what you read, and how you spend your time, &c. &c. and to tell you what I do not read, and how I do not, &c. for almost all the employment of my hours may be best explained by negatives: take my word and experience upon it, doing nothing is a most amusing business; and yet neither something nor nothing gives me any pleasure. When you have seen one of my days, you have seen a whole year of my life; they go round and round like the blind horse in the mill, only he has the satisfaction of fancying he makes a progress, and gets some ground; my eyes are open enough to see the same dull prospect, and to know that, having made four-and-twenty steps more, I shall be just where I was: I may, better than most people, say my life is but a span, were I not afraid lest you should not believe that a person so short-lived could write even so long a letter as this; in short, I believe I must not send you the history of my own time, till I can send you that also of the reformation.* However, as the most undeserving people in the world must sure have the vanity to wish somebody had a regard for them, so I need not wonder at my own, in being pleased that you care about me. You need not doubt, therefore, of having a first row in the front box of my little heart, and I believe you are not in danger of being crouded there; it is asking you to an old play, indeed, but you will be candid enough to excuse the whole piece for the sake of a few tolerable lines.

For this little while past I have been playing with Statius; we yesterday had a game at quoits together: you will easily forgive me for having broke his head, as you have a little pique to him. I send you my translation,t which I did not engage in because I liked that part of the poem, nor do I now send it to you because I think it deserves it, but merely to shew you how I mispend my days.

Third in the labours of the Disc came on,
With sturdy step and slow, Hippomedon;
Artful and strong he pois'd the well-known weight,
By Phlegyas warn'd, and fir'd by Mnestheus' fate,
That to avoid, and this to emulaté.

• Carrying on the allusion to the other history written by Mr. West's grandfather.

+ This consisted of about one hundred and ten lines, which were sent separately, and as I believe it was Mr. Gray's first attempt in English verse, it is a curiosity not to be entirely withheld from the reader; therefore, although it is not my intention to fill these Memoirs with much either of his or his correspondent's productions in this way, yet as a few lines will shew how much Mr. Gray had imbibed of Dryden's spirited manner, at this early period, I insert at the end of the letter a specimen of the whole.

His vigorous arm he try'd before he flung,
Brac'd all his nerves, and every sinew strung;
Then with a tempest's whirl, and wary eye,
Pursu'd his cast, and hurld the orb on high;
The orb on high tenacious of its course,
True to the mighty arm that gave it force,
Far overleaps all bound, and joys to see
Its ancient lord secure of victory.
The theatre's green height and woody wall
Tremble ere it precipitates its fall,
The ponderous mass sinks in the cleaving ground,
While vales and woods and echoing hills rebound.
As when from Ætna’s smoaking summit broke,
The eyeless Cyclops heav'd the craggy rock;
Where Ocean frets beneath the dashing oar,
And parting surges round the vessel roar :
'Twas there he aim'd the meditated harm,
And scarce Ulysses 'scap'd his giant arm.
A tiger's pride the victor bore away,
With native spots and artful labour gay,
A shining border round the margin rolld,
And calm'd the terrors of his claws in gold.

Cambridge, May 8, 1736.



I AGREE with you that you have broke Statius's head, but it is in like manner as Apollo broke Hyacinth's—you have foiled him infinitely at his own weapon. I must insist on seeing the rest of your translation, and then I will examine it entire, and compare it with the Latin, and be very wise and severe, and put on an inflexible face, such as becomes the character of a true son of

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