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Her spectres wan and birds of boding cry,
He gives to range the dreary sky;
Till down the eastern cliffs afar
Hyperion's march they spy, and glittering shafts of war.

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II. 2.
In climes beyond the solar road,
Where shaggy forms o'er ice-built mountains roam,
The muse has broke the twilight gloom

To cheer the shivering native's dull abode.
And oft, beneath the odorous shade
Of Chili's boundless forests laid,
She deigns to hear the savage youth repeat,
In loose numbers wildly sweet,
Their feather-cinctured chiefs, and dusky loves.
Her track, where'er the goddess roves,
Glory pursue, and generous Shame,
The unconquerable Mind, and Freedom's holy flame.

II. 3.
Woods, that wave o’er Delphi's steep,
Isles, that crown the' Ægean deep,

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Ver. 54. In climes beyond the solar road] Extensive influence of poetic genius over the remotest and most uncivilized nations : its connection with liberty, and the virtues that naturally attend on it. (See the Erse, Norwegian, and Welsh fragments, the Lapland and American songs, &c.] “ Extra anni solisque vias”

VIRGIL. Tutta lontana dal camin del sole.”

PETRARCH.

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Fields, that cool Ilissus laves,
Or where Mæander’s amber waves
In lingering labyrinths creep,

How do your tuneful echoes languish, .
Mute, but to the voice of anguish!
Where each old poetic mountain

Inspiration breathed around;
Every shade and hallow'd fountain

Murmur'd deep a solemn sound :
Till the sad Nine, in Greece's evil hour,

Left their Parnassus for the Latian plains.
Alike they scorn the pomp of tyrant Power,

And coward Vice, that revels in her chains.
When Latium had her lofty spirit lost,
They sought, oh Albion! next thy sea-encircled coast.

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III. 1.
Far from the sun and summer gale,
In thy green lap was Nature's Darling laid,

Ver. 66. Woods, that wave o'er Delphi's steep] Progress of Poetry from Greece to Italy, and from Italy to England. Chaucer was not unacquainted with the writings of Dante or of Petrarch. The Earl of Surrey and Sir Thomas Wyatt had travelled in Italy, and formed their taste there. Spenser imitated the Italian writers; Milton improved on them: but this school expired soon after the Restoration, and a new one arose on the French model, which has subsisted ever since.

GRAY has been long dead: the Poets of the present day rather imitate the Italian and early English Poets than the French

Ver. 84. In thy green lap was Nature's Darling laid] “Nature's Darling," Shakspeare.

What time, where lucid Avon stray'd,

To him the mighty mother did unveil
Her awful face : the dauntless child
Stretch'd forth his little arms and smiled.
This pencil take (she said), whose colours clear
Richly paint the vernal year:
Thine too these golden keys, immortal Boy!
This can unlock the gates of joy;
Of horror that, and thrilling fears,
Or ope the sacred source of sympathetic tears."

III. 2.
Nor second He, that rode sublime
Upon the seraph wings of Ecstasy,
The secrets of the’ abyss to spy,

He pass'd the flaming bounds of place and time:
The living throne, the sapphire blaze,
Where angels tremble while they gaze,
He saw; but, blasted with excess of light,
Closed his eyes in endless night.
Behold, where Dryden's less presumptuous car
Wide o'er the fields of glory bear
Two coursers of etherial race,

[pace. With necks in thunder clothed, and long-resounding

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Ver. 95. Nor second He, that rode sublime] Milton.

Ver. 99. The living throne, the sapphire blaze] “ For the spirit of the living creature was in the wheels. And above the firmament, that was over their heads, was the likeness of a throne, as the appearance of a sapphire stone. This was the appearance of the glory of the Lord.” EZEK. 1. 20, 26, 28.

Ver. 106. With necks in thunder clothed] Hast thou clothed his neck with thunder ?” JOB.—This verse and the foregoing

bird,

a pinion.

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III. 3.
Hark, his hands the lyre explore !
Bright-eyed Fancy, hovering o'er,
Scatters from her pictured urn
Thoughts that breathe, and words that burn.
But ah! 'tis heard no more-

Oh! lyre divine, what daring spirit
Wakes thee now? Though he inherit
Nor the pride, nor ample pinion,

That the Theban eagle bare,
Sailing with supreme dominion

Through the azure deep of air :
Yet oft before his infant eyes would run

Such forms as glitter in the Muse's ray,
With orient hues, unborrow'd of the sun:

Yet shall he mount, and keep his distant way Beyond the limits of a vulgar fate, Beneath the Good how far—but far above the Great. are meant to express the stately march and sounding energy of Dryden's rhymes.

Ver. 111. But ah! 'tis heard no more] We have had in our language no other odes of the sublime kind than that of Dryden on St. Cecilia's Day; for Cowley, who bad merit, yet wanted judgment, style, and harmony, for such a task. That of Pope is not worthy of so great a man. Mr. Mason indeed, of late days, has touched the true chords, and with a masterly hand, in some of his choruses; above all in the last of Caractacus : :

“Hark; heard ye not yon footstep dread ?” &c. Ver. 115. That the Theban eagle bear] Aiós após ögrego deior. OLYMP. II. 159. Pindar compares himself to that bird, and his enemies to ravens that croak and clamour in vain below, while it pursues its flight, regardless of their noise.

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This Ode is founded on a tradition current in Wales, that

Edward the First, when he completed the conquest of that
country, ordered all the Bards that fell into his hands to
be pat to death.

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I. 1.
“ Ruin seize thee, ruthless King!

Confusion on thy banners wait;
Though fann'd by Conquest's crimson wing,

They mock the air with idle state.

Helm nor hauberk's twisted mail,
Nor e'en thy virtues, Tyrant, shall avail
To save thy secret soul from nightly fears,
From Cambria's curse, from Cambria's tears !"
Such were the sounds that o'er the crested pride

Of the first Edward scatter'd wild dismay,

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Ver. 5. Helm nor hauberk's twisted mail] The hauberk was a texture of steel ringlets, or rings interwoven, forming a coat of mail that sat close to the body, and adapted itself * to every motion.

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