The Works of Thomas Gray ...: Essay on Gray's poetry [by J. Mitford] LettersW. Pickering, 1835 |
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Page l
... admired them in France , lasted about fifteen years , from 1662 , to 1676. A few Heroic plays afterwards appeared , but they were not long - lived . See Malone's Dryden , ii . p . 431 . nature , breaking out into that simplicity and ...
... admired them in France , lasted about fifteen years , from 1662 , to 1676. A few Heroic plays afterwards appeared , but they were not long - lived . See Malone's Dryden , ii . p . 431 . nature , breaking out into that simplicity and ...
Page lv
... admiration , as Dryden says , is the de- light of their serious Plays . ' See his defence of an Essay on Dramatic Poetry , No. 4. See Life of Dryden , ( Aldine Edition ) p . xxxix , and Life of Young , p . xxi . think that some ...
... admiration , as Dryden says , is the de- light of their serious Plays . ' See his defence of an Essay on Dramatic Poetry , No. 4. See Life of Dryden , ( Aldine Edition ) p . xxxix , and Life of Young , p . xxi . think that some ...
Page lxix
... admiration of those great and elevated scenes of life , which we are too much accustomed to suppose , are alone worthy of our regard . This seems to be the general feeling which is excited : but towards the close of the poem , by a ...
... admiration of those great and elevated scenes of life , which we are too much accustomed to suppose , are alone worthy of our regard . This seems to be the general feeling which is excited : but towards the close of the poem , by a ...
Page xci
... admiring we despise ces vers techniques , enfans du mauvais goût , les Rophaliques , Retrogrades , Léonins , Nu- méraux , Soladiques , Acrostiches , & c . " It is true that we should despise them , if they were attempted to be displayed ...
... admiring we despise ces vers techniques , enfans du mauvais goût , les Rophaliques , Retrogrades , Léonins , Nu- méraux , Soladiques , Acrostiches , & c . " It is true that we should despise them , if they were attempted to be displayed ...
Page cx
... admire that significant and emphatical language , which , at one touch , forms and completes the picture he intended to create ; the promptitude with which his genius seizes upon the decisive parts of the composition , the vividness of ...
... admire that significant and emphatical language , which , at one touch , forms and completes the picture he intended to create ; the promptitude with which his genius seizes upon the decisive parts of the composition , the vividness of ...
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Abbéville admired adorned agreeable Alcaic ancient appears Aristotle Bard beauty believe blank verse called character church composition critic diction drama Dryden effect Elegy English English poetry epode Essay Euripides expression eyes fancy feeling Florence formed French genius Genoa give Grande Chartreuse Gray's Greek Horace images imagination imitation language Latin least letter lines Lycophron lyrical lyrical poetry manner Mason mention ments metre mihi Milton mind moral morning mountains nature never night numbers observe opinion painting pass passage peculiar perhaps picture Pindar pleasure poet poetical poetry Pope Pope's Posidippus quod racter reader remarks Rhône rhyme Rome says seems sentiment Shakespeare stanza Statius style sublimity Syphax Tacitus taste tell thing thought Tibullus tion town tragedy Turin vast versification Voltaire Walpole Walpole's Warton WEST words write καὶ τὰ τῶν
Popular passages
Page lxxviii - Hear from the grave, great Taliessin, hear : They breathe a soul to animate thy clay. Bright Rapture calls, and soaring as she sings, Waves in the eye of Heaven her many-colour'd wings.
Page lxxv - While proudly riding o'er the azure realm In gallant trim the gilded vessel goes ; Youth on the prow, and pleasure at the helm ; Regardless of the sweeping whirlwind's sway 75 That, hush'd in grim repose, expects his evening prey.
Page 153 - I, that am curtail'd of this fair proportion, Cheated of feature by dissembling nature, Deform'd, unfinished, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them...
Page 71 - I do not remember to have gone ten paces without an exclamation, that there was no restraining. Not a precipice, not a torrent, not a cliff, but is pregnant with religion and poetry. There are certain scenes that would awe an atheist into belief, without the help of other argument. One need not have a very fantastic imagination to see spirits there at noonday. You have death perpetually before your eyes ; only so far removed, as to compose the mind without frighting it.
Page lix - There scattered oft, the earliest of the year, By hands unseen are showers of violets found; The red-breast loves to build and warble there, And little footsteps lightly print the ground.
Page 21 - It is a little chaos of mountains and precipices ; mountains, it is true, that do not ascend much above the clouds, nor are the declivities quite so amazing as Dover cliff; but just such hills as people, who love their necks as well as I do, may venture to climb, and crags that give the eye as much pleasure as if they were more dangerous...
Page cxiv - His supplication to father Thames, to tell him who drives the hoop or tosses the ball, is useless and puerile. Father Thames has no better means of knowing than himself. His epithet buxom health is not elegant; he seems not to understand the word.
Page 3 - When you have seen one of my days, you have seen a whole year of my life ; they go round and round like the blind horse in the mill, only he has the satisfaction of fancying he makes a progress and gets some ground ; my eyes are open enough to see the same dull prospect, and to know that, having made four-and-twenty steps more, I shall be just where I was.
Page viii - Thoughtless of beauty, she was Beauty's self, Recluse amid the close-embowering woods. As in the hollow breast of Apennine, Beneath the shelter of encircling hills, A myrtle rises, far from human eye, And breathes its balmy fragrance o'er the wild...
Page 19 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.