 | Richard Cumberland - Authors, English - 1807 - 456 pages
...every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy-paced Horatio —heavens, what a transition ! — it seemed as if a whole century had -been stept over in the transition of a single scene ; old things were done away, and a new order at once... | |
 | Theater - 1829 - 390 pages
...muscle and in every feature, come bounding on the stage, and pointing at Altamont, and heavy paced Horatio, Heavens ! what a transition ! it seemed as if a whole century had been swept over in the transition of a single scene. CORNEILLE. to BOILEAU thought Corneille the most majestic of authors,... | |
 | Lord Francis Jeffrey Jeffrey - English essays - 1844 - 622 pages
...expectation, I first beheld little Garrick, then young and light, and alive in every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy-paced Horatio — heavens, what a transition! — it seemed as if a whole century had been stepped... | |
 | Lord Francis Jeffrey Jeffrey - Edinburgh review - 1846 - 754 pages
...expectation, I first beheld little Garrick, then young and light, and alive in every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy-paced Horatio— heavens, what a transition!—it seemed as if a whole century had been stepped... | |
 | Leigh Hunt - London (England) - 1848 - 334 pages
...in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy -paced Horatio — heavens, what a transition! — it seemed as if a whole century had been swept over in the transition of a single scene ; old things were done away and a new order at once brought forward, bright... | |
 | Leigh Hunt - London (England) - 1848 - 348 pages
...eager expectation, I first beheld little Garrick, then young and light and alive in every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy -paced Horatio — heavens, what a transition! — it seemed as if a whole century had been swept... | |
 | John Forster - 1854 - 642 pages
...expectation, I first beheld little Garrick, then younfj " and light and alive in every muscle and in every feature, " come bounding on the stage, and pointing at the wittol 1759. " Altamont and heavy-paced Horatio — Heavens ! what a Mt,. 31. " transition ! it seemed as... | |
 | Richard Cumberland - Dramatists, English - 1856 - 424 pages
...eager expectation, I first beheld little Garrick, then young and light and alive in every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy-paced Horatio — heavens, what a transition ! — it seemed as if a whole century had been stepped... | |
 | United States - 1856 - 642 pages
...expectation, I first beheld little Garrick, then young and light, and alive in every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavy-paced Horatio—- heavens, what a transition ! — it seemed as if a whole century had been stepped... | |
 | Leigh Hunt - London - 1859 - 478 pages
...every muscle and in every feature, come bounding on the stage, and pointing at the wittol Altamont and heavypaced Horatio — heavens, what a transition!...seemed as if a whole century had been swept over in the transition of a single scene; old things were done away and a new order at once brought forward, bright... | |
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Horatio — heavens, what a transition! — it seemed as if a whole century had been swept over in the transition of a single scene; old things were done away and a new order at once brought forward, bright and luminous, and clearly destined to dispel... 
