"Their Majesties' Servants": Annals of the English Stage, from Thomas Betterton to Edmund Kean, Volume 2 |
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Page 3
... John Henderson 235 XVIII . - Sarah Siddons XIX . - John Kemble . 241 264 XX - George Frederick Cooke XXI . - Master Betty . XXII . - Stage Costume and Stage Tricks XXIII . - Prologue , Epilogue ; Dedications , and Benefits XXIV . - Old ...
... John Henderson 235 XVIII . - Sarah Siddons XIX . - John Kemble . 241 264 XX - George Frederick Cooke XXI . - Master Betty . XXII . - Stage Costume and Stage Tricks XXIII . - Prologue , Epilogue ; Dedications , and Benefits XXIV . - Old ...
Page 28
... (John). to recognize it , by his hilarity , in the boxes . Further , when ne- cessity compelled him to plead in person in a suit at the bar , his promptitude , eloquence , and modest bearing , crowned by success , demonstrated what he ...
... (John). to recognize it , by his hilarity , in the boxes . Further , when ne- cessity compelled him to plead in person in a suit at the bar , his promptitude , eloquence , and modest bearing , crowned by success , demonstrated what he ...
Page 37
... (John). Selwyn was the gladder to see , as he was weary of low life above stairs — the disinterestedness of Irish wooers was asserted in Mack- lin's " Love á la Mode ; " rascality , generally , was pummelled in Foote's " Minor ; " novel ...
... (John). Selwyn was the gladder to see , as he was weary of low life above stairs — the disinterestedness of Irish wooers was asserted in Mack- lin's " Love á la Mode ; " rascality , generally , was pummelled in Foote's " Minor ; " novel ...
Page 44
... (John). Rich thought himself so much a better actor than mimic , that he was ten times happier when giving foolish instruction to a novice training for Hamlet , than when he was marshalling his corps of pantomimists , and admirably ...
... (John). Rich thought himself so much a better actor than mimic , that he was ten times happier when giving foolish instruction to a novice training for Hamlet , than when he was marshalling his corps of pantomimists , and admirably ...
Page 45
... (John). quins ; and Cibber quotes Rowe as complaining , or asking , in a prologue to one of his first plays- " Must Shakspeare , Fletcher , and laborious Ben , Be left for Scaramouch and Harlequin ? " One of the most curious features ...
... (John). quins ; and Cibber quotes Rowe as complaining , or asking , in a prologue to one of his first plays- " Must Shakspeare , Fletcher , and laborious Ben , Be left for Scaramouch and Harlequin ? " One of the most curious features ...
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Common terms and phrases
acted actor actress admiration appearance applause audience Bannister Barry beauty benefit Betterton called century character Charles Kemble Cibber Clive Colley Colley Cibber Colman comedy comic Cooke Coriolanus Covent Garden critics daughter dramatic dress Drury Lane Dublin Duke Edmund Kean Elliston Falstaff father followed Foote Foote's fortune friends Garrick gave gentleman George graceful Hamlet Harlequin Haymarket heart Henderson hissed honor humor husband Iago Irish Jane Shore John Kemble Kemble's King Kitty Clive Lady latter laughed Lewis Lincoln's Inn Fields lived London looked Lord Macbeth Macklin manager Margaret Woffington married Miss Farren Miss Pope Mossop never night once original Othello piece played player poet poor Prince Pritchard prologue Quin remarked rendered Richard says scene season Shakspeare Shakspeare's Sheridan Shylock Siddons Spranger Barry stage success theatre theatrical Theophilus Cibber thought took town tragedy triumph voice Walpole wife Woffington Woodward writes Yates young
Popular passages
Page 34 - For physic and farces his equal there scarce is— His farces are physic, his physic a farce is.
Page 135 - Sincerity, Thou first of virtues! let no mortal leave Thy onward path, although the earth should gape, And from the gulf of hell destruction cry, To take dissimulation's winding way.
Page 20 - I had rather not suppress, viz. that it was the best first play that any author in his memory had produced ; and that for a young fellow to show himself such an actor and such a writer in one day, was something extraordinary.
Page 199 - ... his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form ; Then have I reason to be fond of grief. Fare you well : had you such a loss as I, I could give better comfort than you do. I will not keep this form upon my head, When there is such disorder in my wit. O Lord ! my boy, my Arthur, my fair son ! My life, my joy, my food, my all the world ! My widow-comfort, and my sorrows
Page 53 - ild you! They say the owl was a baker's daughter. Lord! we know what we are, but know not what we may be.
Page 316 - The dawn is overcast, the morning lowers, And heavily in clouds brings on the day, The great, the important day, big with the fate Of Cato and of Rome.
Page 133 - Among the fairest of Foote's sayings was the reply to Mr. Howard's intimation that he was about to publish a second edition of his Thoughts and Maxims. " Ay ! second thoughts are best." Fair, too, was his retort on the person who alluded to his "game leg.
Page 80 - Horatio — heavens, what a transition! — it seemed as if a whole century had been swept over in the transition of a single scene; old things were done away and a new order at once brought forward, bright and luminous, and clearly destined to dispel the barbarisms and bigotry of a...
Page 357 - Wide o'er this breathing world, a Garrick came. Though sunk in death the forms the Poet drew, The Actor's genius bade them breathe anew ; Though, like the bard himself, in night they lay, Immortal Garrick call'd them back to day : And till Eternity with power sublime Shall mark the mortal hour of hoary Time, Shakspeare and Garrick like twin stars shall shine, And earth irradiate with a beam divine." It would be an insult to my readers' understandings to attempt any thing like a criticism on this...
Page 228 - Form'd gen'ral notions from the rascal few ; Condemn'da people, as for vices known, Which, from their country banish'd, seek our own. At length, howe'er, the slavish chain is broke, And Sense, awaken'd, scorns her ancient yoke : Taught by thee, Moody, we now learn to raise Mirth from their foibles ; from their virtues, praise.