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admired afterwards architect architecture artiſts beauty beſt born buildings buſineſs called Charles church collection colouring copied death deſigned died drawing drew duke earl employed England engraver excellent executed eyes fame figures finiſhed firſt fortune four garden gave genius George give grace hand head himſelf hiſtory Hogarth houſe imitated improved Italy James John Kent king lady landſcape laſt late latter leſs lived London lord manner March maſter mentioned merit moſt muſt nature never original painted painter Paris perfection perſon piece plates portraits preſent prince prints publiſhed queen reign returned royal ſaid ſame ſays ſcenes ſee ſeems ſeen ſet ſeveral ſhould ſmall ſome ſon ſtill ſtudied ſtyle ſuch talents taſte temple theſe thoſe thought tion trees uſe Vertue walks whole whoſe young
Page 267 - With mazy error under pendent shades Ran nectar, visiting each plant, and fed Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
Page 275 - ... fountains and water-works. If the hill had not ended with the lower garden, and the wall were not bounded by a common way that goes through the park, they might have added a third quarter of all greens ; but this want is supplied by a garden on the other side the house, which is all of that sort, very wild, shady, and adorned with rough rock-work and fountains.
Page 274 - The cloister facing the south is covered with vines, and would have been proper for an orange-house, and the other for myrtles or other more common greens, and had, I doubt not, been cast for that purpose, if this piece of gardening had been then in as much vogue as it is now.
Page 287 - At that moment appeared Kent, painter enough to taste the charms of landscape, bold and opinionative enough to dare and to dictate, and born with a genius to strike out a great system from the twilight of imperfect essays.
Page 117 - Eager to get, but not to keep the pelf, A friend to all mankind, except himself.
Page 86 - Pretty ! in amber to observe the forms Of hairs, or straws, or dirt, or grubs, or worms ! The things, we know, are neither rich nor rare, But wonder how the devil they got there.
Page 277 - ... there may be more honour if they succeed well, yet there is more dishonour if they fail, and it is twenty to one they will , whereas in regular figures it is hard to make any great and remarkable faults.
Page 307 - It is a garden of oaks two hundred' years old. If there is a fault in fo auguft a fragment of improved nature, it is, that the fize of the trees are out of all proportion to the fhrubs and accompanyments.
Page 237 - He was not only consulted for furniture, as frames of pictures, glasses, tables, chairs, etc., but for plate, for a barge, for a cradle. And so impetuous was fashion, that two great ladies prevailed on him to make designs for their birthday gowns. The one he dressed in a petticoat decorated with columns of the five orders ; the other like a bronze, in a copper-coloured satin, with ornaments of gold.
Page 233 - He was a painter, an architect), and the father of modern gardening. In the first character, he was below mediocrity ; in the second, he was a restorer of the science ;. in the last, an original, and the inventor of an art that realizes painting, and improves nature. Mahomet imagined an Elysium, but Kent created many...