Critical Essays of the Early Nineteenth CenturyRaymond Macdonald Alden |
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Page xviii
... persons . The critics of the new age do not discuss why Shakespeare made Hamlet or Macbeth to act thus and so , —perhaps explaining the problem by 18 As in the scene of the drunken porter in Macbeth , which he believed to have been ...
... persons . The critics of the new age do not discuss why Shakespeare made Hamlet or Macbeth to act thus and so , —perhaps explaining the problem by 18 As in the scene of the drunken porter in Macbeth , which he believed to have been ...
Page xix
... persons , but the practise might well be traced back to Maurice Morgann's famous essay on Falstaff ( 1777 ) ; and both Hazlitt and Lamb were disciples of Coleridge in their general attitude . As for Lamb , it should be noticed how , in ...
... persons , but the practise might well be traced back to Maurice Morgann's famous essay on Falstaff ( 1777 ) ; and both Hazlitt and Lamb were disciples of Coleridge in their general attitude . As for Lamb , it should be noticed how , in ...
Page 2
... the exact import of the promise which , by the act of writing in verse , an author in the present day makes to his reader ; but it will undoubtedly appear to many persons that I have not fulfilled the 2 CRITICAL ESSAYS.
... the exact import of the promise which , by the act of writing in verse , an author in the present day makes to his reader ; but it will undoubtedly appear to many persons that I have not fulfilled the 2 CRITICAL ESSAYS.
Page 3
Raymond Macdonald Alden. appear to many persons that I have not fulfilled the terms of an engagement thus voluntarily contracted . They who have been accustomed to the gaudiness and inane phrase- ology of many modern writers , if they ...
Raymond Macdonald Alden. appear to many persons that I have not fulfilled the terms of an engagement thus voluntarily contracted . They who have been accustomed to the gaudiness and inane phrase- ology of many modern writers , if they ...
Page 7
... persons to be the proper object of poetry . Without being culpably particular , I do not know how to give my reader a more exact notion of the style in which it was my wish and intention to write , than by informing him that I have at ...
... persons to be the proper object of poetry . Without being culpably particular , I do not know how to give my reader a more exact notion of the style in which it was my wish and intention to write , than by informing him that I have at ...
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Critical Essays of the Early Nineteenth Century: With Introduction and Notes ... No preview available - 2008 |
Common terms and phrases
acter admiration appear Ariosto Banquo beauty called character Charles Lamb Coleridge Compare composition connected criticism Dante delight diction dramatic Edinburgh Review Edited effect essay excite expression eyes faculty Faerie Queene fancy feeling genius give Hamlet heart Homer human images imagination imitation interest judgment Julius Cæsar Keats King Lear language Lear Leigh Hunt less literature living Lord Byron Lyrical Ballads Macbeth manner means ment meter metrical Milton mind moral nature ness never object original Othello ottava rima Paradise Lost passage passion person Petrarch philosophical play pleasure poem poet poet's poetical poetry Pope present principle produced Professor of English prose reader reason rhyme Romeo and Juliet scene sense sentiment Shakespeare Spenser spirit stanza sublime supposed taste things thought tion tragedy true truth University verse whole words Wordsworth write
Popular passages
Page 216 - I have lived long enough : my way of life Is fall'n into the sear, the yellow leaf ; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Page 212 - tis later, sir. Ban. Hold, take my sword. There's husbandry in heaven, Their candles are all out. Take thee that too. A heavy summons lies like lead upon me, And yet I would not sleep. Merciful powers, Restrain in me the cursed thoughts that nature Gives way to in repose!
Page 229 - Ingratitude ! thou marble-hearted fiend, More hideous when thou show'st thee in a child Than the sea-monster ! Alb.
Page 13 - Aristotle, I have been told, has said, that Poetry is the most philosophic of all writing : it is so : its object is truth^ not individual and local, but general, and operative ; not standing upon external testimony, but carried alive into the heart by passion...
Page 384 - The One remains, the many change and pass; Heaven's light forever shines, Earth's shadows fly; Life, like a dome of many-colored glass, Stains the white radiance of Eternity, Until Death tramples it to fragments.
Page 222 - The Lunatic, the lover and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic. Sees Helen's beauty in a brow of Egypt: The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes and gives to airy nothing A local habitation and a name.
Page 3 - ... a certain colouring of imagination, whereby ordinary things should be presented to the mind in an unusual way; and, further, and above all, to make these incidents and situations interesting by tracing in them, truly though not ostentatiously, the primary laws of our nature: chiefly, as far as regards the manner in which we associate ideas in a state of excitement.
Page 104 - DURING the first year that Mr. Wordsworth and I were neighbours, our conversations turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power of giving the interest of novelty by the modifying colours of imagination.
Page 162 - Made for our searching : yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep ; and such are daffodils With the green world they live in...
Page 233 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.