Calling from Diffusion: Hermeneutics of the PromenadeBased on four Nielson Lectures delivered at Smith College, this book examines a series of "promenade poems," lyrics that follow a poetic speaker moving through a landscape and responding to it. Thomas M. Greene invites the reader to consider a wide range of poets, beginning with Amy Clampitt and A. R. Ammons, continuing with Petrarch, Ronsard, Saint-Amant, Milton, Vaughan, and Marvell, and concluding with two representative Romantics, Wordsworth and Whitman. Greene's discussions of this rich body of texts stimulate reflection at several levels. They can be read first of all simply as analyses of several memorable poems exhibiting a similar structure over a period of seven centuries. They can also be read as meditations on the workings of lyric poetry, which is always attempting to bring into sharper focus the sensibility of a speaker whose emergence depends on her naming and evoking the objects surrounding her. Thus Greene argues that the distinction of a poetic consciousness lies in its "permeability," permitting a more intimate interplay between internal and external realms. His title is drawn from a line by Whitman: "You objects that call from diffusion my meanings and give them shape!" Finally, at yet another level, Greene's book presents a way of thinking about language which, recalling the Heideggerean theory of "ereignis," suggests that only through the projective act of naming can human beings assimilate things through intuitive knowledge. An afterword, "The Morality of Literary Interpretation," surveys critically a range of hermeneutic theories and formulates a position that accords the literary text both autonomy and mystery. |
From inside the book
Results 1-3 of 14
... receive the caressing Lydian airs , the soul capable and fit to meet and hear them adequately , the soul willing to be pierced , porous enough to be pierced by their enchantment . This meeting soul of course is the faculty creating both ...
... receive and to project ; and now in the last stanza with one last marvelous inversion we're finished . The salmon - fishers , wherever they are , " ... like Antipodes in shoes , / Have shod their heads in their canoes " ( 771-72 ) ...
... received The light reflected , as a light bestowed.13 Once again that circular movement of outstreaming and receiving receives stress , but the movement is unmediated . The outstreaming Coleridge evokes is reflected in The Prelude , but ...
Contents
Circles and Variations | 15 |
Utopias of Solitude | 29 |
Getting Engaged | 49 |
Copyright | |
1 other sections not shown