The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Volume 10Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
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Page 20
... live to see thee in my touch , I'd say I had eyes again . . . 4.1.21-24 Why does Edgar , the " good " son , cruelly not identify himself ? Nor does he after Gloster bursts out . If Edgar live , O bless him ! 4.6.40 Not even when Gloster ...
... live to see thee in my touch , I'd say I had eyes again . . . 4.1.21-24 Why does Edgar , the " good " son , cruelly not identify himself ? Nor does he after Gloster bursts out . If Edgar live , O bless him ! 4.6.40 Not even when Gloster ...
Page 29
... live through , let alone comprehend ; then how embrace in a single image the far more com- pressed , abrasive complexity of a great tragic character — Hamlet , for instance ? G. B. Shaw said , " Like most men , Hamlet is half - a ...
... live through , let alone comprehend ; then how embrace in a single image the far more com- pressed , abrasive complexity of a great tragic character — Hamlet , for instance ? G. B. Shaw said , " Like most men , Hamlet is half - a ...
Page 34
... lives we do not ourselves want the excitement of killing for kingship , we can still vicariously recognize the fantasy to rise to the highest of social situations , if need be over parent , sibling , friend , indeed any obsta- cle in ...
... lives we do not ourselves want the excitement of killing for kingship , we can still vicariously recognize the fantasy to rise to the highest of social situations , if need be over parent , sibling , friend , indeed any obsta- cle in ...
Page 39
... lives are composed of many tones : we are happy and sad , calm and agitated , fierce and gentle , cold and warm . Rarely does any single note possess us for very long . In the compressed lives of tragic personalities the complex ...
... lives are composed of many tones : we are happy and sad , calm and agitated , fierce and gentle , cold and warm . Rarely does any single note possess us for very long . In the compressed lives of tragic personalities the complex ...
Page 42
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action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words
Popular passages
Page 108 - O, reason not the need ! our basest beggars Are in the poorest thing superfluous : Allow not nature more than nature needs, Man's life is cheap, as beast's : thou art a lady ; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
Page 106 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
Page 110 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads, and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these...
Page 125 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 98 - From too much liberty, my Lucio, liberty ; As surfeit is the father of much fast, So every scope by the immoderate use Turns to restraint; our natures do pursue (Like rats that ravin down their proper bane,) A thirsty evil ; and when we drinK, we die.
Page 290 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Page 209 - Sir, I love you more than words can wield the matter; Dearer than eyesight, space, and liberty; Beyond what can be valued, rich or rare...