The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Volume 10Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
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Page 19
... actions is the only text . Almost certainly , as the playwright created it , the gestures and sounds came to him ... action ? To rouse us through our eyes ? For one instance , the sheer visual impact of seeing , when in Lear Edgar ...
... actions is the only text . Almost certainly , as the playwright created it , the gestures and sounds came to him ... action ? To rouse us through our eyes ? For one instance , the sheer visual impact of seeing , when in Lear Edgar ...
Page 21
... action on the mystery in Edgar's troubled character , on his silences — will he tell ? —until only at the very last , after his too - late reve- lation of who he is , that killed his father , he cries out guiltily , " O ! Fault ...
... action on the mystery in Edgar's troubled character , on his silences — will he tell ? —until only at the very last , after his too - late reve- lation of who he is , that killed his father , he cries out guiltily , " O ! Fault ...
Page 22
... action has to grow from subtextual interchanges . I have found a dozen different ways Hamlets have responded ... actions . But I found , as so many have before me , that the characterizations , so complex , so multilayered , are elusive ...
... action has to grow from subtextual interchanges . I have found a dozen different ways Hamlets have responded ... actions . But I found , as so many have before me , that the characterizations , so complex , so multilayered , are elusive ...
Page 23
... action to the word , the word to the action , " Shakespeare had Hamlet tell us ; we have learned to study his command of both : to sharpen our own sense of how his mastery of the furnace of language serves his wizard stage movement and ...
... action to the word , the word to the action , " Shakespeare had Hamlet tell us ; we have learned to study his command of both : to sharpen our own sense of how his mastery of the furnace of language serves his wizard stage movement and ...
Page 24
... action with diverse human beings — readers , actors — to be realized . Some idea of the diversity emerges in the chapters where I ask scholars from around the world to identify their Hamlets ( see Chapters 2 and 3 , " The Two Kinds of ...
... action with diverse human beings — readers , actors — to be realized . Some idea of the diversity emerges in the chapters where I ask scholars from around the world to identify their Hamlets ( see Chapters 2 and 3 , " The Two Kinds of ...
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Common terms and phrases
action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words
Popular passages
Page 108 - O, reason not the need ! our basest beggars Are in the poorest thing superfluous : Allow not nature more than nature needs, Man's life is cheap, as beast's : thou art a lady ; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
Page 106 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
Page 110 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads, and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these...
Page 125 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 98 - From too much liberty, my Lucio, liberty ; As surfeit is the father of much fast, So every scope by the immoderate use Turns to restraint; our natures do pursue (Like rats that ravin down their proper bane,) A thirsty evil ; and when we drinK, we die.
Page 290 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Page 209 - Sir, I love you more than words can wield the matter; Dearer than eyesight, space, and liberty; Beyond what can be valued, rich or rare...