Yearbook of Comparative Criticism, Volume 2Joseph Strelka |
From inside the book
Results 1-3 of 7
Page 58
... organs with which to judge works of art , just as some people are endowed with better sensory organs . We take it for granted that color sense presupposes a soundly functioning organ . Why should it be otherwise with the organ designed ...
... organs with which to judge works of art , just as some people are endowed with better sensory organs . We take it for granted that color sense presupposes a soundly functioning organ . Why should it be otherwise with the organ designed ...
Page 60
... organ from that demanded by scholarly thought . " 36 Where , then , is this organ located , and what are its properties ? All we know is that it is anchored in the realm of feeling . But the be- havior structures of value feeling , as ...
... organ from that demanded by scholarly thought . " 36 Where , then , is this organ located , and what are its properties ? All we know is that it is anchored in the realm of feeling . But the be- havior structures of value feeling , as ...
Page 73
... organs . The reception of the sensory foreground or outermost layer of poetry must be com- pleted for the act structures we have described to become effective and to be able to absorb the value qualities of the various layers . It must ...
... organs . The reception of the sensory foreground or outermost layer of poetry must be com- pleted for the act structures we have described to become effective and to be able to absorb the value qualities of the various layers . It must ...
Contents
THE PROBLEM OF LITERARY EVALUATION | 3 |
CONTEXTS OF LITERARY EVALUATION | 14 |
PRIVILEGED CRITERIA IN LITERARY EVALUATION | 22 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
A. K. Coomaraswamy aesthetic value analysis archetype Aristotle artistic Ästhetik basic beautiful become C. G. Jung century cognition concept consciousness contents course creative criteria criterion culture defined descriptive definitions dreams element emotional essay existence experience expression fact Freud Friedrich Schlegel function genre Goethe Hermann Broch human I. A. Richards Ibid idea import individual interpretation intrinsic judge Jung Jung's kind kitsch knowledge language linguistic literary criticism literary evaluation literature logical meaning merely method mind nature norms Northrop Frye Norwegian language novel object perceived Petrarchan sonnet Physicalistic Plato poem poet poetic poetry possible principle problem produce psychological question reader relation relationship René Guénon René Wellek Roman Ingarden Schiller sense social speak specific standards structure symbols taste themal themes things tion true uncon unconscious understanding value feeling value judgments Wellek words work's writer