XEUPHRANEA, daughter to Crotolon, a maid of honour. CHRISTALLA, Į PHILEMA, maids of honour. GRAUSIS, overseer of Penthea. Courtiers, Officers, Attendants, &c. SCENE-Sparta. Here Ford gives what he calls "the names of the speakers fitted to their qualities." If he found them elsewhere, it is well; if not, he has not been very successful in his appropriation of some of them. ITHOCLES, Honour of Loveliness. ORGILUS, Angry. BASSANES, Vexation. ARMOSTES, an Appeaser. CROTOLON, Noise. PROPHILUS, Dear. NEARCHUS, Young Prince. TECNICUS, Artist. HEMOPHIL, Glutton. GRONEAS, Tavern-haunter. AMELUS, Trusty. PHULAS, Watchful. CALANTHA, Flower of Beauty. PENTHEA, Complaint. EUPHRANEA, Joy. CHRISTALLA, Crystal. PHILEMA, a Kiss. GRAUSIS, Old Beldam. Persons included. THRASUS, Fierceness. APLOTES, Simplicity. PROLOGUE. OUR scene is Sparta. He whose best of art Of apish laughter, or of some lame jeer At place or persons; no pretended clause When innocence and sweetness crown'd their lays; Not to take freedom more than we allow ; What may be here thought FICTION,2 when time's youth 2 fiction,] The 4to has "a fiction." D. This Prologue has been hitherto most strangely printed. It is in the author's best manner, and, whether considered in a moral or poetical light, entitled to considerable praise. THE BROKEN HEART. ACT I. SCENE I. A room in CROTOLON's house. Enter CROTOLON and ORGILUS. Crot. Dally not further; I will know the reason That speeds thee to this journey. Org. I can yield many. Crot. Reason! good sir, Give me one, a good one; Such I expect, and ere we part must have: To kick against the world, turn cynic, stoic, An Areopagite, and judge in cases Touching the commonwealth; for, as I take it, Org. All this I acknowledge. Crot. You do! then, son, if books and love of knowledge Inflame you to this travel, here in Sparta You may as freely study. Org. 'Tis not that, sir. |