His valiant active arms, his manly breast,
If not his fair and seemly personage;
His noble limbs, in such proportion cast,
As would have rap't a silly woman's thought;
If this might not have mov'd the bloody heart,
And that most cruel hand the wretched weapon
Even to let fall, and kist him in the face,
With tears, for ruth to reave such one by death;
Should nature yet consent to slay her son?

O mother, thou to murder thus thy child!
Even Jove with justice must with light'ning flames
From heaven send down some strange revenge on thee.
Ah noble prince, how oft have I beheld

Thee mounted on thy fierce and trampling steed,
Shining in armour bright before the tilt,

And with thy mistress' sleeve tied on thy helm,
There charge thy staff, to please thy lady's eye,
That bow'd the head piece of thy friendly foe!
How oft in arms on horse to bend the mace,
How oft in arms on foot to break the sword,
Which never now these eyes may see again.

Arost. Madam, alas, in vain these plaints are shed.
Rather with me depart, and help to asswage
The thoughtful griefs, that in the aged king
Must needs by nature grow, by death of this
His only son, whom he did hold so dear.

Marc. What wight is that which saw that I did see,
And could refrain to wail with plaint and tears?
Not I, alas, that heart is not in me;

But let us go, for I am griev'd anew,

To call to mind the wretched father's woe.

[Exeunt.

Chorus of aged men. When greedy lust in royal seat to

reign

Hath reft all care of gods and eke of men;
And cruel heart, wrath, treason, and disdain,
Within th' ambitious breast are lodged, then
Behold how mischief wide herself displays,
And with the brother's hand the brother slays.

When blood thus shed doth stain this heaven's face,

Crying to Jove for vengeance of the deed,

The

The mighty God even moveth from his place
With wrath to wreak; then sends he forth with speed
The dreadful Furies, daughters of the night,
With serpents girt, carrying the whip of ire,
With hair of stinging snakes, and shining bright
With flames and blood, and with a brand of fire:
These, for revenge of wretched murder done,
Doth cause the mother kill her only son.

Blood asketh blood, and death must death requit:
Jove by his just and everlasting doom
Justly hath ever so requited it.

This times before record and times to come
Shall find it true, and so doth present proof
Present before our eyes for our behoof.

O happy wight that suffers not the snare
Of murderous mind to tangle him in blood:
And happy he that can in time beware
By others harms, and turn it to his good:
But woe to him that fearing not to offend,
Doth serve his lust, and will not see the end.5

5 The style of this old play is stiff and cumbersome, like the dresses of its times. There may be flesh and blood underneath, but we cannot get at it. Sir Philip Sidney has praised it for its morality. One of its authors might easily furnish that. Norton was an associate to Hopkins, Sternhold, and Robert Wisdom, in the Singing Psalms. I am willing to believe that Lord Buckhurst supplied the more vital parts. The chief beauty in the extract is of a secret nature. Marcella obscurely intimates that the murdered prince Porrex and she had been lovers.

THE SPANISH TRAGEDY:

OR HIERONIMO IS MAD

AGAIN. A TRAGEDY BY THOMAS KYD.

Horatio the son of Hieronimo is murdered while he is sitting with his mistress Belimperia by night in an arbour in his father's garden. The murderers (Balthazar his rival, and Lorenzo the brother of Betimperia) hang his body on a tree. Hieronimo is awakened by the cries of Belimperia, and coming out into his garden, discovers by the light of a torch, that the murdered man is his son. Upon this he goes distracted.

HIERONIMO mad.

Hier. My son! and what's a son?

A thing begot within a pair of minutes, there about:
A lump bred up in darkness, and doth serve

To balance those light creatures we call women;
And at the nine months end creeps forth to light.
What is there yet in a son,

To make a father doat, rave or run mad?
Being born, it pouts, cries, and breeds teeth.
What is there yet in a son?

He must be fed, be taught to go, and speak.

Ay, or yet? why might not a man love a calf as well?
Or melt in passion o'er a frisking kid, as for a son?
Methinks a young bacon,

Or a fine little smooth horse colt,

Should move a man as much as doth a son;
For one of these, in very little time,

Will grow to some good use; whereas a son
The more he grows in stature and in years,
The more unsquar'd, unlevell'd he appears;
Reckons his parents among the rank of fools,
Strikes cares upon
their heads with his mad riots,
Makes them look old before they meet with age:
This is a son; and what a loss is this, consider'd truly!

Oh,

`Oh, but my Horatio grew out of reach of those
Insatiate humours: he lov'd his loving parents:
He was my comfort, and his mother's joy,
The very arm that did hold up our house-
Our hopes were stored up in him,

None but a damned murderer could hate him.

He had not seen the back of nineteen years,

When his strong arm unhors'd the proud prince Bal

thazar
r;

And his great mind, too full of honour, took

To mercy that valiant but ignoble Portuguese.
Well heaven is heaven still!

And there is Nemesis, and furies,

And things call'd whips,

And they sometimes do meet with murderers:

They do not always 'scape, that's some comfort.

Ay, ay, ay, and then time steals on, and steals, and

steals,

Till violence leaps forth, like thunder

Wrapt in a ball of fire,

And so doth bring confusion to them all.

JAQUES and PEDRO, servants.

Jaq. I wonder, Pedro, why our master thus
At midnight sends us with our torches light,
When man and bird and beast are all at rest,
Save those that watch for rape and bloody murder.
Ped. O Jaques, know thou that our master's mind
Is much distract since his Horatio died:

And, now his aged years should sleep in rest,
His heart in quiet, like a desperate man
Grows lunatic and childish for his son:
Sometimes as he doth at his table sit,
He speaks as if Horatio stood by him.
Then starting in a rage, falls on the earth,
Cries out Horatio, where is my Horatio?
So that with extreme grief, and cutting sorrow,
There is not left in him one inch of man:
See here he comes.

[Exit.

HIERONIM

HIERONIMO enters.

Hier. I pry thro' every crevice of each wall,
Look at each tree, and search thro' every brake,
Beat on the bushes, stamp our grandame earth,
Dive in the water, and stare up to heaven:
Yet cannot I behold my son Horatio.

How now, who's there, sprights, sprights?

Ped. We are your servants that attend you, sir.
Hier. What make you with your torches in the dark?
Ped. You bid us light them, and attend you here.
Hier. No, no, you are deceiv'd, not I, you are de-
ceiv'd:

Was I so mad to bid you light your torches now?
Light me your torches at the mid of noon,
When as the sun god rides in all his glory;
Light me your torches then.

Ped. Then we burn day light.

Hier. Let it be burnt; night is a murd'rous slut, That would not have her treasons to be seen: And yonder pale fac'd Hecate there, the moon, Doth give consent to that is done in darkness. And all those stars that gaze upon her face, Are aglets on her sleeve, pins on her train: And those that should be powerful and divine, Do sleep in darkness when they most should shine. Ped. Provoke them not, fair sir, with tempting words, The heavens are gracious; and your miseries And sorrow make you speak you know not what. Hier. Villain thou lyest, and thou doest nought But tell me I am mad: thou lyest, I am not mad: I know thee to be Pedro, and he Jaques.

I'll prove it to thee; and were I mad, how could I? Where was she the same night, when my Horatio was murder'd?

She should have shone: search thou the book:

Had the moon shone in my boy's face, there was a kind

of grace,

That I know, nay I do know had the murd❜rer seen him,

6 Tags of points.