THE TRAGEDY OF NERO. AUTHOR UNCERTAIN.
Scenical Personation.
Tis better in a play
Be Agamemnon, than himself indeed,
How oft, with danger of the field beset,
Or with home-mutinies, would he un-be
Himself; or, over cruel altars weeping,
Wish, that with putting off a vizard he
Might his true inward sorrow lay aside!
The shows of things are better than themselves.
How doth it stir this airy part of us
To hear our poets tell imagin'd fights
And the strange blows that feigned courage gives,
When I Achilles hear upon the Stage
Speak honor and the greatness of his soul,
Methinks I too could on a Phrygian spear
Run boldly, and make tales for after times:
But when we come to act it in the deed,
Death mars this bravery, and the ugly fears
Of th' other world sit on the proudest brow;
And boasting valour loseth his red cheek.
THE MERRY DEVIL OF EDMONTON.
Millisent the fair daughter of Clare was betrothed, with the consent of her parents, to Raymond, son of Mounchensey ; but the elder Mounchensey being since fallen in his fortunes, Clare revokes his consent, and plots a marriage for his daughter with the rich heir of Jerningham. Peter Fabel, a good magician, who had been Tutor to young Raymond Mounchensey at college, determines by the aid of his art to assist his Pupil in obtaining fair Millisent.
Fab. Good old Mounchensey, is thy hap so ill,
That for thy bounty, and thy royal parts,
Thy kind alliance should be held in scorn;
And after all these promises by Clare,
Refuse to give his daughter to thy son,
Only because thy revenues cannot reach
To make her dowage of so rich a jointure,
As can the Heir of wealthy Jerningham?
And therefore is the false fox now in hand
To strike a match betwixt her and the other,
And the old grey-beards now are close together,
Plotting in the garden. Is it even so?
Raymond Mounchensey, boy, have thou and I
Thus long at Cambridge read the liberal arts,
The metaphysics, magic, and those parts
Of the most secret deep philosophy?
Have I so many melancholy nights
Watch'd on the top of Peter House highest tower?
And come we back unto our native home,
For want of skill to lose the wench thou lovest?
We'll first hang Envil18 in such rings of mist,
As never rose from any dampish fen;
I'll make the brinish sea to rise at Ware,
17 It has been ascribed without much proof to Shakspeare, and to Michael Drayton.
THE MERRY DEVIL OF EDMONTON.
And drown the marshes unto Stratford bridge;
I'll drive the deer from Waltham in their walks
And scatter them like sheep in every field :
may perhaps be crost; but if we be,
He shall cross the devil that but crosses me.
But here comes Raymond disconsolate and sad;
And here comes the gallant must have his wench.
Enter Raymond Mounchensey, young Jerningham, and young Clare.
Jern. I prithee, Raymond, leave these solemn dumps, Revive thy spirits; thou that before hast been
More watchful than the day-proclaiming cock,
As sportive as a kid, as frank and merry
If ought in me may thy content procure,
It is thy own, thou may'st thyself assure.
Raym. Ha! Jerningham, if any but thyself
Had spoke that word, it would have come as cold
As the bleak northern winds upon the face of winter.
From thee, they have some power on my blood;
Yet being from thee, had but that hollow sound
Come from the lips of any living man,
It might have won the credit of mine ear,
From thee it cannot.
Jern. If I understand thee I am a villain :
What! dost thou speak in parables to thy friend?
Fab. (to Jern.) You are the man, sir, must have Milli
The match is making in the garden now;
Her jointure is agreed on, and the old men
Your fathers, mean to launch their pursy bags,
But in mean time to thrust Mounchensey off,
For colour of this new intended match,
Fair Millisent to Cheston19 must be sent,
To take the approbation of a Nun.
Ne'er look upon me, lad, the match is done,
THE MERRY DEVIL OF EDMONTON.
Jern. Raymond Mounchensey, now I touch thy grief With the true feeling of a zealous friend.
And as for thy fair beauteous Millisent,
With my vain breath I will not seek to slubber
Fler angel-like perfections. But thou know'st
That Essex hath the Saint that I adore.
Where'er didst meet me, that we two were jovial,
But like a wag thou hast not laugh'd at me,
And with regardless jesting mock'd my love?
How many a sad and weary summer's night
My sighs have drunk the dew from off the earth,
And I have taught the nightingale to wake,
And from the meadows sprung the early lark
An hour before she should have list to sing?
I have loaded the poor minutes with my moans,
That I have made the heavy slow pac'd hours
To hang like heavy clogs upon the day.
But, dear Mounchensey, had not my affection
Seiz'd on the beauty of another dame,
Before I'd wrong the chase, and leave the love
Of one so worthy, and so true a friend,
I will abjure both beauty and her sight,
And will in love become a counterfeit.
Raym. Dear Jerningham, thou hast begot my life,
And from the mouth of hell, where now I sat,
I feel my spirit rebound against the stars;
Thou hast conquer'd me, dear friend, and my free soul Nor time nor death can by their power controul.
Fab. Frank Jerningham thou art a gallant boy;
And were he not my pupil, I would say,
He were as fine a metal'd Gentleman,
Of as free a spirit, and as fine a temper,
As any in England; and he is a man,
That very richly may deserve thy love.
But, noble Clare, this while of our discourse,
What may Mounchensey's honour to thyself
Exact upon the measure of thy grace?
Cla. Raymond Mounehensey, I would have thee know, He does not breathe this air,
Whose love I cherish, and whose soul I love,
More than Mounchensey's:
Nor ever in my life did see the man,
Whom for his wit, and many virtuous parts,
I think more worthy of my sister's love.
But since the matter grows into this pass,
I must not seem to cross my father's will;
But when thou list to visit her by night,
My horse is saddled, and the stable door
Stands ready for thee; use them at thy pleasure.
In honest marriage wed her frankly, boy,
And if thou getst her, lad, God give thee joy.
Raym. Then care away! let fate my
fall pretend,
Back'd with the favours of so true a friend.
Fab. Let us alone to bustle for the set;
For age and craft with wit and art hath met.
I'll make my Spirits dance such nightly jigs
Along the way 'twixt this and Totnam Cross,
The Carriers Jades shall cast their heavy packs,
And the strong hedges scarce shall keep them in.
The milk-maids cuts shall turn the wenches off,
And lay their dossers tumbling in the dust:
The frank and merry London Prentices,
That come for cream and lusty country cheer,
Shall lose their way, and scrambling in the ditches
All night, shall whoop and hollow, cry, and call,
And none to other find the way at all.
Raym. Pursue the project, scholar; what we can do
To help endeavour, join our lives thereto.20
20 This Scene has much of Shakspeare's manner in the sweetness and goodnaturedness of it. It seems written to make the Reader happy. Few of our dramatists or novellists have attended enough to this. They torture and wound us abundantly. They are economists only in delight. Nothing can be finer, more gentlemanlike, and noble, than the conversation and compliments of these young men. How delicious is Raymond Mounchensey's forgetting, in his fears, that Jerningham has a "Saint in Essex"; and how sweetly his friend reminds him !-I wish it could be ascertained that Michael Drayton was the Author of this piece it would add a worthy appendage to the renown of that Panegyrist of my native Earth; who kas gone over her soil (in his Polyolbion) with the fidelity of a he
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