The Cambridge Companion to VirgilCharles Martindale Virgil became a school author in his own lifetime and the centre of the Western canon for the next 1800 years, exerting a major influence on European literature, art, and politics. This Companion is designed as an indispensable guide for anyone seeking a fuller understanding of an author critical to so many disciplines. It consists of essays by seventeen scholars from Britain, the USA, Ireland and Italy which offer a range of different perspectives both traditional and innovative on Virgil's works, and a renewed sense of why Virgil matters today. The Companion is divided into four main sections, focussing on reception, genre, context, and form. This ground-breaking book not only provides a wealth of material for an informed reading but also offers sophisticated insights which point to the shape of Virgilian scholarship and criticism to come. |
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... bythe scholars ofliterature' (10.1.54); significantly ordo is the word fora social grouping within a hierarchy (thus thesenatorial 'order'), just as 'classic' was first used byAulus Gellius todenote 'a firstclassand taxpayingauthor,nota ...
... bythe scholars ofliterature' (10.1.54); significantly ordo is the word fora social grouping within a hierarchy (thus thesenatorial 'order'), just as 'classic' was first used byAulus Gellius todenote 'a firstclassand taxpayingauthor,nota ...
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... bythe imperial ambitionof Aeneas.Surrey artfullyopposes the solitary'I' of Dido tothe collective 'they' ofthe Trojansina way that carries over into hisown verse, which frequently dwells on the experiences of those who arecompelled into ...
... bythe imperial ambitionof Aeneas.Surrey artfullyopposes the solitary'I' of Dido tothe collective 'they' ofthe Trojansina way that carries over into hisown verse, which frequently dwells on the experiences of those who arecompelled into ...
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... by the PresbyterianJohnVicars (1632), and the free rendering bythe republican theoristJames Harrington (1659), were bothlaughed into oblivion byroyalists such asSamuel Butler,for whom the only true Virgil was one who spoke toprinces in ...
... by the PresbyterianJohnVicars (1632), and the free rendering bythe republican theoristJames Harrington (1659), were bothlaughed into oblivion byroyalists such asSamuel Butler,for whom the only true Virgil was one who spoke toprinces in ...
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Contents
COLIN BURROW 3 Modern receptions andtheirinterpretative implications | |
Aspects of Virgils reception in antiquity | |
The Virgil commentaryof Servius | |
Virgil in | |
the Eclogues | |
value and meaning in the Georgics | |
religious and philosophical ideas | |
The Virgilian intertext | |
Virgils style | |
Virgilian narrative | |
b Ecphrasis | |
Approaching characterisation in Virgil | |
sexuality and gender in Virgils poetry | |
Virgil | |
Virgilian epic | |
the Book of Virgil | |
Virgils poetry incontemporary context | |
Rome and its traditions | |
the death of Virgil | |
Index | |
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Common terms and phrases
Aeneas Aeneid allegorical allusion Anchises ancient andthe Aristaeus atthe Augustan Augustus Book Broch bythe Caesar Callimachus Cambridge Companion Carthage Catullus century character characterisation classical closure commentary contemporary context criticism cultural Dante’s death Dido Dido and Aeneas Dido’s divine Dryden Eclogue ecphrasis Eliot English Ennius epic episode Euryalus Feeney figures fromthe Gallus genre Georgics Greek Hardie Homeric Horsfall human ideology Iliad imitation imperial imperium inhis interpretation intertextuality inthe inwhich isthe Italian Italy itis Jupiter Jupiter’s Latin literary London Lucan’s Lucretius narrative narrator Octavian Odyssey ofhis ofthe Aeneid ofVirgil onthe Orpheus Ovid Ovid’s Oxford passage pastoral poem’s poet poet’s poetic political present prophecy reader reading recent Renaissance Roman Rome Rome’s sense Servius shield story style suggests T. S. Eliot teleological theAeneid Theocritus thepoem tothe tradition tragedy tragic translation Trojan Troy Turnus Underworld Virgil Virgil’s poetry Virgilian withthe words writing