Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 151
... note- worthy blend of Catholic and Protestant traits enables King Henry V in the aftermath of Agincourt to achieve a ... notes that the practice had caught on among craftsmen such as weav- ers 151 The Hybrid Reformations of Shakespeare's.
... note- worthy blend of Catholic and Protestant traits enables King Henry V in the aftermath of Agincourt to achieve a ... notes that the practice had caught on among craftsmen such as weav- ers 151 The Hybrid Reformations of Shakespeare's.
Page 203
... note 27 . 13 For discussion of the purgatorial context in the play and Protestant doctrine regarding purgatory , see Matheson ... notes 90 and 91 . 21 John Calvin , Institutes book 3 , chap . 12 , 1 , ed . John T. McNeill ( Philadelphia ...
... note 27 . 13 For discussion of the purgatorial context in the play and Protestant doctrine regarding purgatory , see Matheson ... notes 90 and 91 . 21 John Calvin , Institutes book 3 , chap . 12 , 1 , ed . John T. McNeill ( Philadelphia ...
Page 256
... notes : " the episode most fre- quently chosen by artists [ is ] the moment just before Ophelia plunges to a watery ... note that with the exception of Martha C. Ronk and Bridget Gellert Lyons , critics have neglected the import of this ...
... notes : " the episode most fre- quently chosen by artists [ is ] the moment just before Ophelia plunges to a watery ... note that with the exception of Martha C. Ronk and Bridget Gellert Lyons , critics have neglected the import of this ...
Contents
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Copyright | |
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