Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 55
... edition . “ Ignorance is the mother of all errors " ( EE3v ) . Yet for Jews , the original recusants , choosing the truth was a matter not simply of learning but of a prior belonging that was denied them : " For like as the nature of ...
... edition . “ Ignorance is the mother of all errors " ( EE3v ) . Yet for Jews , the original recusants , choosing the truth was a matter not simply of learning but of a prior belonging that was denied them : " For like as the nature of ...
Page 117
... edition makes it the first authoritative text to undo an alteration which , as scholars have long sus- pected , Shakespeare himself must have made some- time between a non - extant 1596 performance text and the 1598 quarto of the play ...
... edition makes it the first authoritative text to undo an alteration which , as scholars have long sus- pected , Shakespeare himself must have made some- time between a non - extant 1596 performance text and the 1598 quarto of the play ...
Page 216
... edition of 1901-3 , which , " canvassing a spec- trum of criticism , cites about as many who refer the He to Macbeth as to Malcolm " ( 554 ) . Perhaps that is still the case at this end of the century , but it is not easy to tell ...
... edition of 1901-3 , which , " canvassing a spec- trum of criticism , cites about as many who refer the He to Macbeth as to Malcolm " ( 554 ) . Perhaps that is still the case at this end of the century , but it is not easy to tell ...
Contents
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Copyright | |
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actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York