Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 54
... Early Modern English Identity Mary Janell Metzger , Western Washington University The Merchant of Venice , and the Discourse of Early. Jessica , the other Jew in The Merchant of Venice , is doubly distinguished . ' Unlike her father ...
... Early Modern English Identity Mary Janell Metzger , Western Washington University The Merchant of Venice , and the Discourse of Early. Jessica , the other Jew in The Merchant of Venice , is doubly distinguished . ' Unlike her father ...
Page 55
... Early Modern English Identity Mary Janell Metzger , Western Washington University Whigham , Frank . " Ideology and Class Conduct in. Jessica , the other Jew in The Merchant of Venice , is doubly distinguished . ' Unlike her father ...
... Early Modern English Identity Mary Janell Metzger , Western Washington University Whigham , Frank . " Ideology and Class Conduct in. Jessica , the other Jew in The Merchant of Venice , is doubly distinguished . ' Unlike her father ...
Page 61
... early modern European culture , see Trachten berg ; Poliakov ; Edwards ; Baron ; Yardeni ; Felsenstein ; Shapiro . Tractenberg suggests that the equation of Jews with devils was the product of Christian legends in which " the inexorable ...
... early modern European culture , see Trachten berg ; Poliakov ; Edwards ; Baron ; Yardeni ; Felsenstein ; Shapiro . Tractenberg suggests that the equation of Jews with devils was the product of Christian legends in which " the inexorable ...
Contents
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Copyright | |
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actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York