Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page ix
... University of Detroit Mercy Library , Wayne State University Purdy / Kresge Library Complex , and the University of ... Press . Reproduced by permission of the publisher . - ELH , v . 65 , 1998. Copyright © 1998 by The Johns Hopkins ...
... University of Detroit Mercy Library , Wayne State University Purdy / Kresge Library Complex , and the University of ... Press . Reproduced by permission of the publisher . - ELH , v . 65 , 1998. Copyright © 1998 by The Johns Hopkins ...
Page x
... University of Delaware Press , 1998. Copyright 1998 by Associated University Presses , Inc. All rights re- served . Reproduced by permission . - Hopkins , Lisa . From The Shakespearean Marriage : Merry Wives and Heavy Husbands . Macmillan ...
... University of Delaware Press , 1998. Copyright 1998 by Associated University Presses , Inc. All rights re- served . Reproduced by permission . - Hopkins , Lisa . From The Shakespearean Marriage : Merry Wives and Heavy Husbands . Macmillan ...
Page 172
... University Press , 1968 ) ; Robert Grudin , Mighty Opposites : Shakespeare and Renaissance Con- trariety ( Berkeley and Los Angeles : University of California Press , 1979 ) . " Wells , " The Fortunes of Tillyard , " 398 . 12 Holderness ...
... University Press , 1968 ) ; Robert Grudin , Mighty Opposites : Shakespeare and Renaissance Con- trariety ( Berkeley and Los Angeles : University of California Press , 1979 ) . " Wells , " The Fortunes of Tillyard , " 398 . 12 Holderness ...
Contents
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Copyright | |
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actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York