Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 112
... Lord Chief Justice , an institutional relation emphasized by the latter's reappearance in 5.2 for the first time since his encounter with Falstaff in 1.2 . Falstaff links them together in two other respects : by harping on their ...
... Lord Chief Justice , an institutional relation emphasized by the latter's reappearance in 5.2 for the first time since his encounter with Falstaff in 1.2 . Falstaff links them together in two other respects : by harping on their ...
Page 121
... Lord Cobham's prop- erty.29 The basic plot elements for the subsequent drama of Shakespeare's authorship are already ... Lord Powis , the knight's martyrdom , and the oft - chronicled poten- tial confrontation in St. Giles's field ...
... Lord Cobham's prop- erty.29 The basic plot elements for the subsequent drama of Shakespeare's authorship are already ... Lord Powis , the knight's martyrdom , and the oft - chronicled poten- tial confrontation in St. Giles's field ...
Page 122
... Lord Cobham of the chronicles from the proto - Protestant figure of Bale's Brefe Chronycle , the authorial status of these writings has evolved from confiscated property at- tributed to an alleged Lollard to the self - authored , self ...
... Lord Cobham of the chronicles from the proto - Protestant figure of Bale's Brefe Chronycle , the authorial status of these writings has evolved from confiscated property at- tributed to an alleged Lollard to the self - authored , self ...
Contents
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Copyright | |
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actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York