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action appears beauty better bring called carried cause character comedy comes common course critics doubt Drama effect English evidently expression fact feel force further genius give given grace hand heart hold honour human instance interest John keep kind King known language least less live mark matter means mind moral nature never noted observed once original pass passage passion perfect perhaps persons piece play Poet Poet's poetry principle printed probably proper question reason regard remarkable represented respect scene seems seen sense Shakespeare shows sort soul speak speech spirit stage stand strong style sure sweet taken taste tells thing thou thought tion touches true truth turn virtue whole writing written
Page 231 - Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off ; And pity, like a naked new-born babe, Striding the blast, or heaven's cherubin, hors'd Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind.
Page 199 - I'll kneel down And ask of thee forgiveness: so we'll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news; and we'll talk with them too, — Who loses and who wins; who's in, who's out; — And take upon's the mystery of things, As if we were God's spies...
Page 143 - The form is mechanic, when on any given material we impress a predetermined form, not necessarily arising out of the properties of the material, — as when to a mass of wet clay we give whatever shape we wish it to retain when hardened. The organic form, on the other hand, is innate; it shapes, as it develops, itself from within, and the fulness of its development is one and the same with the perfection of its outward form.
Page 31 - ... supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Page 25 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Page 25 - Saturn laugh'd and leap'd with him. Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell...
Page 219 - The stars of midnight shall be dear To her; and she shall lean her ear In many a secret place Where rivulets dance their wayward round, And beauty born of murmuring sound Shall pass into her face.
Page 291 - Christian is ? if you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge ? if we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility ? revenge ; If a Christian wrong a Jew, what should his sufferance be by Christian example? why, revenge. The villainy, you teach me, I will execute ; and it shall go hard, but I will better the instruction.
Page 200 - How could communities, Degrees in schools, and brotherhoods in cities, Peaceful commerce from dividable shores, The primogenity and due of birth, Prerogative of age, crowns, sceptres, laurels, But by degree stand in authentic place? Take but degree away, untune that string, And hark what discord follows.