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genuine, and independent, but our predecessors have seen, and said, like ourselves, and we who write last may exclaim with the Roman author:

Pereant qui ante nos dixere.

Nevertheless, frequent as are the tours to Italy, and multiplied as are the printed details of such travels, almost every successive journalist complains of the errors of his predecessors:- I also could expatiate on the inadequacy of many of the works I perused, and which circumstance partly induced me to record my own impressions, but last, and least of all, would I seek to insinuate any better opinion of my own work by depreciating the productions of others.-Different authors will have varying feelings even for the very same ob ject.-Italy more particularly presents the most exhaustless and diversified subjects for description; and those scenes which some may dwell upon with rapturous delight, others may pass by with cold indifference.

The general style of the ensuing narrative displays, perhaps occasionally, as much the character of the individual as the pretensions of an author.

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-Written familiarly, and unaffectedly, it sometimes shows the unpremeditated effusions of the hour rather than the deliberate study of the head; while classical and critical accounts mingle amid the more playful and familiar incidents with friends and associates. One principle, however, predominates throughout:-the Love of Truth. Superior talent, and deeper research, I wish my book possessed; but, at least, it is not tainted with any intentional misrepresentation, or wilful exaggeration; and I hope it is unclouded by any prejudice. My account of objects is justly as I have seen them, and found them; and in this narrative, professedly descriptive, I have preferred the simple majesty of truth to all the embellishments of fancy, and all the splendors of fiction.

London, Nov. 1823.

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