Yearbook of Comparative Criticism, Volume 7Joseph Strelka |
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Page 6
... become too rigid for alteration . We forget that the imagination , as it plays upon theories of the past and the present , constantly wills its own anchorages in simplistic rubrics and equations . Criticism is not a creative art ; it is ...
... become too rigid for alteration . We forget that the imagination , as it plays upon theories of the past and the present , constantly wills its own anchorages in simplistic rubrics and equations . Criticism is not a creative art ; it is ...
Page 120
... become part of the artist's reach and movement toward the eventual goal . This total centration is a particular kind ... become differentiated . We become aware of ourselves in relation to others , of a physical world that is separate ...
... become part of the artist's reach and movement toward the eventual goal . This total centration is a particular kind ... become differentiated . We become aware of ourselves in relation to others , of a physical world that is separate ...
Page 266
... become as calligraphic as a series of forks along splintered roads . Psychoanalysis has generated the greatest variety of psychological literary criticisms . Classic psychological theory continues to prove itself infinitely expandable ...
... become as calligraphic as a series of forks along splintered roads . Psychoanalysis has generated the greatest variety of psychological literary criticisms . Classic psychological theory continues to prove itself infinitely expandable ...
Contents
PSYCHOANALYSIS AND ART | 31 |
PSYCHOLOGY AND LITERATURE | 48 |
THE AUTHORITY OF FEELING AND THE ORIGINS | 69 |
Copyright | |
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