Dream of an Absolute Language, The: Emanuel Swedenborg and French Literary Culture

Taking as its point of departure the two poems, Correspondances by Baudelaire and Les correspondances by Alphonse-Louis Constant, The Dream of an Absolute Language: Emanuel Swedenborg and French Literary Culture traces the reception and popularization of several key Swedenborgian doctrines in late-eighteenth- and nineteenth-century French literature and popular culture, notably the doctrine of correspondences. Contrary to what Michel Foucault argued in his early Les mots et les choses, in nineteenth-century France, the word correspondences does not denote a break with representation, at least as it was used by nineteenth-century French writers: rather it is intimately bound up with the taxonomic structures of natural history and also with the desire to understand the social world in terms of an ordered and controllable totality. Because it crops up in texts we now classify as canonical and also those outside the canon, and because it is so clearly related to notions of literary structure and effect, the word correspondences and its transformations in late-eighteenth- and nineteenth-century France offers a vantage point for discerning how artists and writers defined their work both within and against a context of cultures defined as elite, popular, and even ideological.