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action Addison admiration ancient appears beauty better called cause character Church common considered conversation criticism death delight divine effect England equally example excellent expression eyes faculty feel follow force friends genius give hand hath highest human imagination imitation interest Italy kind King knowledge language learning least less live look manners matter means measure ment mind moral nature necessary never object observed once opinion pain particular pass passion perhaps period person philosopher play pleasure poetical poetry poets political practice praise present principles produced reason relation religion seems sense sentiment speak spirit stage supposed taste tell things thought tion true truly truth turn universal verse virtue whole writings
Page 323 - Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate...
Page 371 - Poetry is the record of the best and happiest moments of the happiest and best minds.
Page 354 - The great secret of morals is love; or a going out of our own nature, and an identification of ourselves with the beautiful which exists in thought, action, or person, not our own.
Page 26 - ... he cometh to you with words set in delightful proportion, either accompanied with, or prepared for, the well enchanting skill of music; and with a tale forsooth he cometh unto you, with a tale which holdeth children from play, and old men from the chimney corner.
Page 16 - Poesy, therefore, is an art of imitation, for so Aristotle termeth it in his word Mimesis, that is to say, a representing, counterfeiting, or figuring forth: to speak metaphorically, a speaking picture : with this end, to teach and delight; of this have been three several kinds.
Page 211 - What he attempted, he performed ; he is never feeble, and he did not wish to be energetick * ; he is never rapid, and he never stagnates. His sentences have neither studied amplitude, nor affected brevity ; his periods, though not diligently rounded, are voluble and easy. Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison.
Page 78 - Bridge, said I, standing in the Midst of the Tide. The Bridge thou seest, said he, is human Life, consider it attentively. Upon a more leisurely Survey of it, I found that it consisted of threescore and ten entire Arches, with several broken Arches, which added to those that were entire, made up the Number about an hundred.
Page 371 - The functions of the poetical faculty are twofold: by one it creates new materials of knowledge, and power, and pleasure; by the other it engenders in the mind a desire to reproduce and arrange them according to a certain rhythm and order which may be called the beautiful and the good.