Leos Carax

Front Cover
Manchester University Press, Jan 18, 2019 - Performing Arts - 200 pages
The first book in any language to study the films of this enfant terrible of contemporary French cinema, best known for his film Les Amants du Pont Neuf. Examines key ingredients in the worlds of Carax's films - Paris, pop music, 'flânerie' and 'amour fou', 'mannerist' and 'neo-baroque' aesthetics, the Nouvelle Vague and contemporary 'naturalist' cinema - making the book a good primer of contemporary French film and culture. Draws on a variety of intellectual sources, such as the philosophy of Deleuze, film criticism, theory of art, and literary monographs. Argues that the recent history of maverick mannerist and baroque auteurs, from Ruiz & Rivette to Garrel and Techine, and their explorations of the 'powers of the false' are key to Carax's cinema. Examines Carax's contribution to the strand of cinema which is focused on chance and destiny, from Wong Kar-Wai and David Lynch to films such as Serendipity and Sliding doors.
 

Contents

genesis of Caraxs system
1
Plates
27
Boy Meets Girl Mauvais Sang and the nouvelle vague inheritance
30
Les Amants du PontNeuf and the spectacle of vagrancy
103
Pola X or Caraxs ambiguities
137
Select bibliography
179
Index
183
Copyright

Other editions - View all

Common terms and phrases

About the author (2019)

Fergus Daly is a freelance writer and academic and is the co-director of the documentary film 'Abbas Kiarostami: The Art of Living'

Garin Dowd is Principal Lecturer in Critical Theory and Film in the London College of Music and Media at Thames Valley University in London

Diana Holmes is Professor of French at Keele University

Robert Ingram is Associate Dean in the School of Languages and European Studies at the University of Wolverhampton

Bibliographic information