Aeneas Takes the Metro: The Presence of Virgil in Twentieth-century French LiteratureThis study traces Virgil's journey through twentieth-century France by examining his profile in the works of Gide, Aragon, Valery, Pagnol, Klossowski, Butor, Simon and Pinget, and by looking at how their Virgilian appropriations complement and modify current readings of the "Aeneid" and other works. His presence in these works provides insights not only into modern French culture but into the Virgilian oeuvre itself. This process of mutual illumination is highlighted in Cox's argument by theories of intertextuality and dialogism. Although Virgil's presence in French literature is characterized by its focus on exile and uncertainty, Cox's study reaffirms the multivalency of this great European poet and his continuing relevance at the turn of the millennium. |
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Page 96
... nature — the poet opens himself up to nature through his song but at the same time is himself enchanting nature . Pushed to the extreme this symbiosis promises heightened moments when everything the poet , animals , flora - exists in ...
... nature — the poet opens himself up to nature through his song but at the same time is himself enchanting nature . Pushed to the extreme this symbiosis promises heightened moments when everything the poet , animals , flora - exists in ...
Page 102
... nature même ' [ O Tityrus , I think that in our substance can be found beneath the surface the same power which produces likewise all life . All that is born in the soul is nature itself ] ( Œuvres 2. 187 ) . Eventually this argument ...
... nature même ' [ O Tityrus , I think that in our substance can be found beneath the surface the same power which produces likewise all life . All that is born in the soul is nature itself ] ( Œuvres 2. 187 ) . Eventually this argument ...
Page 104
... nature : ' Il faut commenter un peu plus encore le non ! qui étonne . Ce qu'il y a d'esthétique en un arbre , c'est lui . Mais lui , ce n'est pas lui ; c'est l'Univers qu'on ne divise point ; c'est la liaison de toutes choses à toutes ...
... nature : ' Il faut commenter un peu plus encore le non ! qui étonne . Ce qu'il y a d'esthétique en un arbre , c'est lui . Mais lui , ce n'est pas lui ; c'est l'Univers qu'on ne divise point ; c'est la liaison de toutes choses à toutes ...
Contents
Intertextual Virgil | 16 |
French Virgilian Criticism and the Importance of Broch | 29 |
Songs of War | 57 |
Copyright | |
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Aeneas Aeneid already appears Aragon becomes beginning Broch Bucolics c'est centre characters Christian circle close create dans death Delmont depicts Dido epic evokes exile eyes fama fata fate figure final France French future Gide human indicates intertextual Italy journey Klossowski L'Apocryphe language Latin leaves light lines literary literature lives meaning memory narrative nature never night novel observes œuvre once opening Paris passage past pastoral perceived Pinget poem poet poetry possible present Press qu'il reader recalls references Roman Rome sense shade shepherd shield similar Simon sing song stars story suggests takes temps throughout tout tradition translation turn twentieth century Underworld University Valéry vers Virgil Virgilian voice whole writing Yeux