The Intervention of Philology: Gender, Learning, and Power in Lohenstein's Roman PlaysThis book examines the interplay of history, textuality, dramaturgy, and politics in the school dramas of Daniel Casper von Lohenstein (1635-1683). The plays are based on well-known episodes from classical Roman history and were staged in Breslau by students at two all-male humanistic gymnasia. Organized exclusively around stories of such female protagonists as Agrippina, Cleopatra, Epicharis, and Sophonisbe, these productions required that the young actors dress as women to play roles that routinely involved scenes of political intrigue, incest, seduction, torture, and threatened infanticide. In print these plays were accompanied by massive annotational apparatuses that delineate the contours of the learned universe of eastern central Europe in exacting detail. Newman's study sheds light on the ideological complexity of gender, politics, and learned culture in the early modern period as it emerges from these intriguing and often bizarre plays. |
From inside the book
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Page 46
... fact that Brutus could not ( re ) appear in either Gronovius's Livy or Lohenstein's play in any singular , immediate , or unadorned fashion as a classical paragon of political prudence or virtue to be imitated by the schoolboys calls ...
... fact that Brutus could not ( re ) appear in either Gronovius's Livy or Lohenstein's play in any singular , immediate , or unadorned fashion as a classical paragon of political prudence or virtue to be imitated by the schoolboys calls ...
Page 77
... fact that men were also subject to early modern gender ideologies and technologies of con- trol was left underexamined during this early stage.3 The weighting of early modern gender studies in the direction of women can be traced back ...
... fact that men were also subject to early modern gender ideologies and technologies of con- trol was left underexamined during this early stage.3 The weighting of early modern gender studies in the direction of women can be traced back ...
Page 86
... fact means that Lohenstein's heroine , like Taci- tus's , must ultimately be tortured and die . It is a side of Epicharis upon which others , such as Boccaccio , also commented , when he wrote of the " manly fortitude " of her " brave ...
... fact means that Lohenstein's heroine , like Taci- tus's , must ultimately be tortured and die . It is a side of Epicharis upon which others , such as Boccaccio , also commented , when he wrote of the " manly fortitude " of her " brave ...
Other editions - View all
The Intervention of Philology: Gender, Learning, and Power in Lohenstein's ... Jane O. Newman No preview available - 2020 |
Common terms and phrases
Aeneid African Agrippina Anaxarchus ancient annotations Antonius appears Baroque behavior Benjamin blazon boys Breslau Brutus Caesarion calls attention central Europe century classical Cleopatra commentary complex contemporary context Copts cross-dressing cultural Daniel Casper Dido Dido's early modern gender early modern period edition of Lohenstein's Egypt Egyptian Empire Epicharis Epicharis's erotic Ethiopian European example fact female Forstner gender ideology German gloss Gronovius Gronovius's henstein's historians historiographical humanist ideological imperial incest Just's Justinus Leaena learned learnedness Liegnitz literary Livy Lohen Lohenstein cites Lohenstein's Cleopatra Lohenstein's Epicharis Lohenstein's notes Lohenstein's play Lohenstein's Sophonisbe Lohenstein's text Ludolf male Massinissa multiple narrative Nero nevertheless origins philology Piastian playwright Pliny political postmodern precisely produced queen reference Renaissance role Rome scene Schlesien Schneider scholars schools Semiramis Semiramis's sexual Silesia Sophonisbe Sophonisbe's sources specific stage stein's story studies Syphax Tacitus textual tion Tiraquellus torture tradition Trauerspiele visible Wansleben woman women
References to this book
Allegory and the Work of Melancholy: The Late Medieval and Shakespeare Jeremy Tambling No preview available - 2004 |
Allegory and the Work of Melancholy: The Late Medieval and Shakespeare Jeremy Tambling No preview available - 2004 |