The Intervention of Philology: Gender, Learning, and Power in Lohenstein's Roman PlaysThis book examines the interplay of history, textuality, dramaturgy, and politics in the school dramas of Daniel Casper von Lohenstein (1635-1683). The plays are based on well-known episodes from classical Roman history and were staged in Breslau by students at two all-male humanistic gymnasia. Organized exclusively around stories of such female protagonists as Agrippina, Cleopatra, Epicharis, and Sophonisbe, these productions required that the young actors dress as women to play roles that routinely involved scenes of political intrigue, incest, seduction, torture, and threatened infanticide. In print these plays were accompanied by massive annotational apparatuses that delineate the contours of the learned universe of eastern central Europe in exacting detail. Newman's study sheds light on the ideological complexity of gender, politics, and learned culture in the early modern period as it emerges from these intriguing and often bizarre plays. |
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Contents
Sexed Bodies and the Split Text | 73 |
Sons | 101 |
Race Gender and | 128 |
Copyright | |
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The Intervention of Philology: Gender, Learning, and Power in Lohenstein's ... Jane O. Newman No preview available - 2020 |
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African Agrippina allowed ancient appears associated attention Baroque become begins Benjamin body boys Breslau calls central central Europe century chapter character cites claims classical clearly Cleopatra commentary complex considered contemporary context course critical cultural death described detail Dido discussion early modern early modern period edition Egypt Egyptian Empire Epicharis Ethiopian Europe European example fact female figure final follows gender German identity ideological indicate interest Italy kind knowledge known learned Literatur Lohenstein's play Ludolf male material namely nature nevertheless notes object origins particular past perhaps period Persian philology political position precisely present produced published queen race reference relations Renaissance represents reveals Roman Rome scene Schneider scholars schools Silesia Sophonisbe sources specific stage story studies suggests Tacitus texts textual tion tradition turn visible volume Wansleben woman women writes
References to this book
Allegory and the Work of Melancholy: The Late Medieval and Shakespeare Jeremy Tambling No preview available - 2004 |
Allegory and the Work of Melancholy: The Late Medieval and Shakespeare Jeremy Tambling No preview available - 2004 |