The Poetics of Melancholy in Early Modern EnglandThe Poetics of Melancholy in Early Modern England explores how attitudes toward, and explanations of, human emotions change in England during the late sixteenth and early seventeenth century. By emphasising the shared concerns of the 'non-literary' and 'literary' texts produced by figures such as Edmund Spenser, John Donne, Robert Burton, and John Milton, Douglas Trevor asserts that quintessentially 'scholarly' practices such as glossing texts and appending sidenotes shape the methods by which these same writers come to analyse their own moods. |
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Contents
The reinvention of sadness | |
The margins of learning | 22 |
Detachability and the passions in Edmund Spensers The Shepheardes Calender | 32 |
Sadness in The Faerie Queene | 45 |
Hamlet and the humors of skepticism | 61 |
John Donne and scholarly melancholy | 85 |
the Sidenote as Symptom | 103 |
Robert Burtons melancholic England | 114 |
Burtons scholarly method | 128 |
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according already Anatomy of Melancholy appears argue becomes believe Biathanatos body Burton Cambridge cause Christian claims criticism Culture death depression describes desire Devotions disposition Donne Donne's early modern edition emotional England English example experience fact Faerie Queene father feels figure Galenic Hamlet Holy human humoral imagine insists intellectual interest John kind knowledge learned less letter literary London marginal material means method Milton mind nature never notes objectal offers one's Oxford Paradise Lost particular passions pastoral period play poem poet position present question readers reading reason references regard rejection religious remains Renaissance Robert sadness scholarly scholars sense seventeenth century Shakespeare Shepheardes Calender skepticism social solitary soul Spenser spiritual suffering suggest theory Thomas thought tracts tradition true turn understanding University Press writing