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is almost uniformly mournful, and their views of nature dark and dreary, will be allowed by all who admit of the authenticity of Ossian; and not doubted by any who believe those fragments of Highland poetry to be genuine, which many old people, now alive, of that country, remember to have heard in their youth, and were then taught to refer to a pretty high antiquity.

OPENING STANZAS OF "THE MINSTREL."

Ah! who can tell how hard it is to climb
The steep where Fame's proud temple shines afar!
Ah! who can tell how many a soul sublime
Has felt the influence of malignant star,

And waged with Fortune an eternal war;
Checked by the scoff of Pride, by Envy's frown,
And Poverty's unconquerable bar,

In life's low vale remote has pined alone,

Then dropped into the grave, unpitied and unknown!

And yet the languor of inglorious day

Not equally oppressive is to all;

Him who ne'er listened to the voice of praise

The silence of neglect can ne'er appal.

There are, who, deaf to mad Ambition's call,

Would shrink to hear the obstreperous trump of Fame;
Supremely blest, if to their portion fall

Health, competence, and peace. Nor higher aim
Had he whose simple tale these artless lines proclaim.
The rolls of fame I will not now explore;
Nor need I here describe, in learned lay,
How forth the Minstrel fared in days of yore,
Right glad of heart, though homely in array,
His waving locks and beard all hoary gray;
While from his bending shoulder, decent hung
His harp, the sole companion of his way,
Which to the whistling wind responsive rung:
And ever as he went some merry lay he sung.
Fret not thyself, thou glittering child of pride,
That a poor villager inspires my strain:
With thee let Pageantry and Power abide;
The gentle Muses haunt the sylvan reign,

"The conception of the commencement of the Minstrel is fine, and highly poetical; and it is beautifully and vigorously executed; but he already falls off in the second canto, both in invention and expression." Read a very genial critique on Beattie's Poems, in Sir Egerton Brydges' "Imaginative Biography," vol. i. pp. 153-173.

Where through wild groves at eve the lonely swain
Enraptured roams, to gaze on Nature's charms.
They hate the sensual, and scorn the vain;
The parasite their influence ne'er warms,
Nor him whose sordid soul the love of gold alarms.

THE POET'S CHILDHOOD.

There lived in Gothic days, as legends tell,
A shepherd swain, a man of low degree,
Whose sires, perchance, in Fairyland might dwell,
Sicilian groves, or vales of Arcady;

But he, I ween, was of the north countrie!1
A nation famed for song, and beauty's charms;
Zealous, yet modest; innocent, though free;
Patient of toil; serene amidst alarms;
Inflexible in faith; invincible in arms.

The shepherd-swain of whom I mention made,
On Scotia's mountains fed his little flock;
The sickle, scythe, or plough, he never sway'd;
An honest heart was almost all his stock;
His drink the living water from the rock;
The milky dams supplied his board, and lent
Their kindly fleece to baffle winter's shock;

And he, though oft with dust and sweat besprent,

Did guide and guard their wanderings, wheresoe'er they went.

From labor health, from health contentment springs:
Contentment opes the source of every joy:
He envied not, he never thought of kings;
Nor from those appetites sustain'd annoy,
That chance may frustrate, or indulgence cloy;
Nor fate his calm and humble hopes beguiled;
He mourn'd no recreant friend, nor mistress coy,
For on his vows the blameless Phœbe smiled,
And her alone he loved, and loved her from a child.

No jealousy their dawn of love o'ercast,

Nor blasted were their wedded days with strife;
Each season look'd delightful, as it past,

To the fond husband and the faithful wife.

Beyond the lowly vale of shepherd life

They never roam'd; secure beneath the storm

Which in Ambition's lofty land is rife,

Where peace and love are canker'd by the worm

Of pride, each bud of joy industrious to deform.

There is hardly an ancient ballad or romance, wherein the minstrel or harper who appears, is not declared, by way of eminence, to have been "of the north countrie." It is probable that under this appellation were formerly comprehended all the provinces to the north of the Trent.

The wight, whose tale these artless lines unfold,
Was all the offspring of this humble pair:
His birth no oracle or seer foretold;
No prodigy appear'd in earth or air,

Nor aught that might a strange event declare.
You guess each circumstance of Edwin's birth;
The parent's transport, and the parent's care;
The gossip's prayer for wealth, and wit, and worth;
And one long summer day of indolence and mirth.

And yet poor Edwin was no vulgar boy:
Deep thought oft seem'd to fix his infant eye;
Dainties he heeded not, nor gaude, nor toy,
Save one short pipe of rudest minstrelsy:
Silent when glad; affectionate, though shy;
And now his look was most demurely sad;

And now he laugh'd aloud, yet none knew why.

The neighbors stared, and sigh'd, yet bless'd the lad:

Some deem'd him wondrous wise, and some believed him mad.

But why should I his childish feats display?
Concourse, and noise, and toil, he ever fled;
Nor cared to mingle in the clamorous fray
Of squabbling imps; but to the forest sped,
Or roam'd at large the lonely mountain's head;
Or, when the maze of some bewilder'd stream
To deep untrodden groves his footsteps led,
There would he wander wild, till Phœbus' beam,
Shot from the western cliff, released the weary team.

Th' exploit of strength, dexterity, or speed,
To him nor vanity nor joy could bring.

His heart, from cruel sport estranged, would bleed
To work the woe of any living thing,

By trap or net, by arrow, or by sling;

These he detested, those he scorn'd to wield;
He wish'd to be the guardian, not the king,
Tyrant far less, or traitor, of the field.

And sure the sylvan reign unbloody joy might yield.

Lo! where the stripling, rapt in wonder, roves
Beneath the precipice o'erhung with pine;
And sees on high, amidst th' encircling groves,
From cliff to cliff the foaming torrents shine;
While waters, woods, and winds, in concert join,
And Echo swells the chorus to the skies:

Would Edwin this majestic scene resign
For aught the huntsman's puny craft supplies?

Ah! no: he better knows great Nature's charms to prize.

And oft he traced the uplands, to survey,
When o'er the sky advanced the kindling dawn,
The crimson cloud, blue main, and mountain gray,
And lake, dim-gleaming on the smoky lawn:

Far to the west the long, long vale withdrawn,
Where twilight loves to linger for awhile;
And now he faintly kens the bounding fawn,
And villager abroad at early toil:

But lo! the Sun appears, and heaven, earth, ocean, smile.
And oft the craggy cliff he loved to climb,
When all in mist the world below was lost.
What dreadful pleasure! there to stand sublime,
Like shipwreck'd mariner on desert coast,
And view th' enormous waste of vapor, toss'd
In billows, length'ning to th' horizon round,
Now scoop'd in gulfs, with mountains now emboss'd!
And hear the voice of mirth and song rebound,
Flocks, herds, and waterfalls, along the hoar profound.
In truth he was a strange and wayward wight,
Fond of each gentle and each dreadful scene.
In darkness, and in storm, be found delight:
Nor less than when on ocean-wave serene
The southern Sun diffused his dazzling sheen.'
E'en sad vicissitude amused his soul:

And if a sigh would sometimes intervene,
And down his cheek a tear of pity roll,

A sigh, a tear, so sweet, he wish'd not to control.

MORNING.

But who the melodies of morn can tell?
The wild-brook babbling down the mountain side;
The lowing herd; the sheepfold's simple bell;
The pipe of early shepherd dim descried
In the lone valley; echoing far and wide
The clamorous horn along the cliffs above;
The hollow murmur of the ocean-tide;
The hum of bees, and linnet's lay of love,
And the full choir that wakes the universal grove.

The cottage-curs at early pilgrim bark;
Crown'd with her pail the tripping milkmaid sings;
The whistling ploughman stalks afield; and, hark!
Down the rough slope the ponderous wagon rings;
Thro' rustling corn the hare astonish'd springs;
Slow tolls the village-clock the drowsy hour;
The partridge bursts away on whirring wings;
Deep mourns the turtle in sequester'd bower,
And shrill lark carols clear from her aërial tour.

1 Brightness, splendor. The word is used by some late writers as well as by Milton.

THE HUMBLE WISH.

The end and the reward of toil is rest.

Be all my prayer for virtue and for peace.

Of wealth and fame, of pomp and power possess'd,
Who ever felt his weight of woe decrease?

Ah! what avails the lore of Rome and Greece,
The lay heaven-prompted, and harmonious string,
The dust of Ophir, or the Tyrian fleece,

All that art, fortune, enterprise, can bring,
If envy, scorn, remorse, or pride, the bosom wring!

Let Vanity adorn the marble tomb

With trophies, rhymes, and scutcheons of renown,
In the deep dungeon of some Gothic dome,
Where night and desolation ever frown.

Mine be the breezy hill that skirts the down;
Where a green grassy turf is all I crave,

With here and there a violet bestrown,

Fast by a brook, or fountain's murmuring wave.
And many an evening sun shine sweetly on my grave.

And thither let the village swain repair;
And light of heart, the village maiden gay,
To deck with flowers her half-dishevell'd hair,
And celebrate the merry morn of May.
There let the shepherd's pipe the live-long day
Fill all the grove with love's bewitching woe;
And when mild evening comes in mantle gray,
Let not the blooming band make haste to go;
No ghost nor spell my long and last abode shall know.

THE HERMIT.

At the close of the day, when the hamlet is still,
And mortals the sweets of forgetfulness prove,
When nought but the torrent is heard on the hill,
And nought but the nightingale's song in the grove;
'Twas thus, by the cave of the mountain afar,
While his harp rung symphonious, a hermit began;
No more with himself or with nature at war,
He thought as a sage, though he felt as a man.
"Ah! why, all abandoned to darkness and woe,
Why, lone Philomela, that languishing fall?
For spring shall return, and a lover bestow,
And sorrow no longer thy bosom inthral.
But, if pity inspire thee, renew the sad lay,

Mourn, sweetest complainer, man calls thee to mourn;

O soothe him, whose pleasures like thine pass away:
Full quickly they pass-but they never return.

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