The Cambridge Companion to VirgilCharles Martindale, Emeritus Professor of Latin Charles Martindale Virgil became a school author in his own lifetime and the centre of the Western canon for the next 1800 years, exerting a major influence on European literature, art, and politics. This Companion is designed as an indispensable guide for anyone seeking a fuller understanding of an author critical to so many disciplines. It consists of essays by seventeen scholars from Britain, the USA, Ireland and Italy which offer a range of different perspectives both traditional and innovative on Virgil s works, and a renewed sense of why Virgil matters today. The Companion is divided into four main sections, focussing on reception, genre, context, and form. This ground-breaking book not only provides a wealth of material for an informed reading but also offers fresh and sophisticated insights which point to the shape of Virgilian scholarship and criticism to come. |
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Contents
Introduction The classic of all Europe | 1 |
Translation and reception | 19 |
Virgil in English translation | 21 |
Modern receptions and their interpretative implications | 38 |
Aspects of Virgils reception in antiquity | 56 |
The Virgil commentary of Servius | 73 |
Virgils from Dante to Milton | 79 |
Virgil in art | 91 |
Rome and its traditions | 188 |
Virgil and the cosmos religious and philosophical ideas | 204 |
The Virgilian intertext | 222 |
Contents and forms | 239 |
Virgils style | 241 |
Virgilian narrative | 259 |
Ecphrasis | 271 |
Approaching characterisation in Virgil | 282 |
Genre and poetic career | 105 |
Green politics the Eclogues | 107 |
Virgilian didaxis value and meaning in the Georgics | 125 |
Virgilian epic | 145 |
Closure the Book of Virgil | 155 |
Contexts of production | 167 |
Poetry and power Virgils poetry in contemporary context | 169 |
Sons and lovers sexuality and gender in Virgils poetry | 294 |
Virgil and tragedy | 312 |
Envoi the death of Virgil | 327 |
Dateline | 337 |
340 | |
359 | |
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Common terms and phrases
Aeneas Aeneid allusion Anchises ancient appears aspect Augustan Augustus becomes beginning Book called Cambridge century character claim classical close complete context continuous criticism cultural death described Dido discussion divine earlier early Eclogues effect Eliot English epic example figure final further future genre Georgics give gods Greek hero Homer human imitation important individual influence interpretation Italy Jupiter language later Latin less lines literary meaning narrative narrator nature offers opening original Oxford particular passage past pastoral poem poet poetic poetry political present reader reading recent reference relation represent response rhetoric role Roman Rome scene seems seen sense Servius shield shows story structure style suggests tion tradition tragedy translation Trojan turn Turnus University Virgil Virgilian voice writing
References to this book
Ambitiosa Mors: Suicide and the Self in Roman Thought and Literature T.D. Hill No preview available - 2004 |