Openings: Narrative Beginnings from the Epic to the NovelWhat is the difference between a natural beginning and the beginning of a story? Some deny that there are any beginnings in nature, except perhaps for the origin of the universe itself, suggesting that elsewhere we have only a continuum of events, into which beginnings are variously 'read' by different societies. This book argues that history is full of real beginnings but that poets and novelists are indeed free to begin their stories wherever they like. The ancient poet Homer laid down a rule for his successors when he began his epic by plunging in medias res, 'into the midst of things'. The inspiring Muse of epic gives way to the poet's ego, dies, revives and dies again. Later writers, however, persistently play off the 'interventionist', in medias res opening against some sense of a 'deep', natural beginning: Genesis or the birth of a child. Ranging from Greek and Roman epic to the modern novel via Dante, Milton, Wordsworth, Sterne, and Dickens, A. D. Nuttall has written an ambitious and original book which will be of interest to a wide variety of readers. |
From inside the book
Results 1-3 of 40
Page 68
... mean that by the distinction offered in the Convivio the ' allegory ' of the Commedia would not be poetic allegory but ... means ' leading downward ' . Instead of seeking an implied other - worldly meaning in a narrative which already ...
... mean that by the distinction offered in the Convivio the ' allegory ' of the Commedia would not be poetic allegory but ... means ' leading downward ' . Instead of seeking an implied other - worldly meaning in a narrative which already ...
Page 140
... means ' That Which Is , considered as an ordered whole ' . For the Romantic ' nature ' means ' that which exists , before the meddle- some , distorting intellect of men has interfered ' . The ancient roots of this conception of nature ...
... means ' That Which Is , considered as an ordered whole ' . For the Romantic ' nature ' means ' that which exists , before the meddle- some , distorting intellect of men has interfered ' . The ancient roots of this conception of nature ...
Page 165
... means difference , and difference in a word means a quality ' , 22 and in The Principles of Logic he writes , • • We are fastened to a chain , and we wish to know if we are really secure The practical man would first of all ask ...
... means difference , and difference in a word means a quality ' , 22 and in The Principles of Logic he writes , • • We are fastened to a chain , and we wish to know if we are really secure The practical man would first of all ask ...
Contents
The Beginning of the Aeneid | 1 |
The Commedia | 33 |
Paradise Lost | 74 |
Copyright | |
3 other sections not shown
Common terms and phrases
Aeneas Aeneid allegory ancient becomes birth century Chaos Chaucer Christian Clarendon Press classical Commedia consciousness creation Criticism Dante Dante's darkness David Copperfield dead death Dickens divine E. R. Dodds Eclogues Eliot English epic essay F. H. Bradley fact father fiction figure Genesis Greek Heaven Homer human Ibid idea Iliad imagination Inferno inspiration invocation John Milton Latin light lines literal literary literature London Meanwhile medias res medias res opening medieval metaphor Milton mind Miss Trotwood Muse narrative natural beginning nekuia never notion novel Odyssey origin Oxford University Press Paradise Lost pastoral perhaps person poem poet poet's poetic poetry pre-echoed Prelude proem Purgatorio reader reality reference Renaissance Roman seems sense sentence Shakespeare sing somehow song speak spirit Sterne story strange tell things thought translation Tristram Shandy Trotwood turn unconscious Virgil Virgilian voice vols word Wordsworth writing wrote