The Authentic Shakespeare: and Other Problems of the Early Modern StageIn this lavishly illustrated book, one of the most important and influential scholars of the Renaissance stage brings together essays that have changed the way we think about the age of Shakespeare. His subjects are varied and interconnected: the theater as social phenomenon, the development of the stage as an architectural presence and a cultural institution, the changing use of setting and costume, the changing status of the acting profession, the complex relation of theater to the political life of the age. Most of all, The Authentic Shakespeare is about how the modern constructs the past, how the texts that were performed on the Elizabethan stage became the books and editions that are, for our time, Renaissance drama. Many essays in The Authentic Shakespeare have become classics. Collected here for the first time, they essential reading for students of the Renaissance stage and the history of the book. |
From inside the book
Results 1-5 of 48
Page ix
... Court. The Royal Collection © 2001, Her Majesty Queen Elizabeth II. 8. Gendering the Crown Figure 8.1. The pelican as symbol of Christ, from G. P. Valeriano Bolzani, Hieroglyphica, 1610. Figure 8.2. Bontà (Kindness), from Cesare Ripa ...
... Court. The Royal Collection © 2001, Her Majesty Queen Elizabeth II. 8. Gendering the Crown Figure 8.1. The pelican as symbol of Christ, from G. P. Valeriano Bolzani, Hieroglyphica, 1610. Figure 8.2. Bontà (Kindness), from Cesare Ripa ...
Page xii
... Court . The Royal Collection © 2001 , Her Majesty Queen Elizabeth II . 8. Gendering the Crown Figure 8.1 . The pelican as symbol of Christ , from G. P. Valeriano Bolzani , Hieroglyphica , 1610 . Figure 8.2 . Bontà ( Kindness ) , from ...
... Court . The Royal Collection © 2001 , Her Majesty Queen Elizabeth II . 8. Gendering the Crown Figure 8.1 . The pelican as symbol of Christ , from G. P. Valeriano Bolzani , Hieroglyphica , 1610 . Figure 8.2 . Bontà ( Kindness ) , from ...
Page xvii
... court were not mere spectacle , but had a serious and recoverable philosophical basis — that , indeed , the idea that there was anything " mere " about spectacle in the Renaissance was anachronistic and misguided . The essay , in short ...
... court were not mere spectacle , but had a serious and recoverable philosophical basis — that , indeed , the idea that there was anything " mere " about spectacle in the Renaissance was anachronistic and misguided . The essay , in short ...
Page xx
... Court Masque , eds . David Bevington and Peter Holbrook ( Cambridge University Press , 1998 ) . 14. Tobacco and Boys . GLQ 6 : 4 ( 2000 ) . 15. The Authentic Shakespeare . Representations 21 ( winter 1988 ) . WHAT IS A TEXT ? MODERN ...
... Court Masque , eds . David Bevington and Peter Holbrook ( Cambridge University Press , 1998 ) . 14. Tobacco and Boys . GLQ 6 : 4 ( 2000 ) . 15. The Authentic Shakespeare . Representations 21 ( winter 1988 ) . WHAT IS A TEXT ? MODERN ...
Page 5
... court performance : if all this is true , where is Shakespeare's authority ? If the changes were made after Shakespeare's retirement or death , why did the company think that was the right text to include in the folio ? I suggest that ...
... court performance : if all this is true , where is Shakespeare's authority ? If the changes were made after Shakespeare's retirement or death , why did the company think that was the right text to include in the folio ? I suggest that ...
Contents
1 | |
7 | |
15 | |
21 | |
The Poetics of Spectacle | 49 |
The Spectacles of State | 71 |
The Renaissance Poet as Plagiarist | 89 |
Gendering the Crown | 107 |
Shakespeare and the Kinds of Drama | 143 |
Macbeth and the Antic Round | 159 |
Prosperos Wife | 173 |
Marginal Jonson | 187 |
Tobacco and Boys | 211 |
The Authentic Shakespeare | 231 |
Notes | 257 |
Index | 271 |
Other editions - View all
The Authentic Shakespeare, and Other Problems of the Early Modern Stage Stephen Orgel Limited preview - 2002 |
The Authentic Shakespeare: and Other Problems of the Early Modern Stage Stephen Orgel Limited preview - 2013 |
The Authentic Shakespeare, and Other Problems of the Early Modern Stage Stephen Orgel No preview available - 2002 |
Common terms and phrases
action actor appears argue argument Aristotle assertion assumption audience authentic authority become begin believe Blackness brother called catharsis certainly character claim classical clearly comedy consider copy costume course court critics deal designed drama edition editors effect Elizabeth Elizabethan England English Epigrams evidence example fact Figure final folio Hamlet hand Henry Holinshed imitation included Jones Jonson kind king Lady least less lines London look Macbeth magic manuscript Marlowe masque means merely mind nature observe original Oxford painting passage performance play poem poet Poetics poetry portrait practice precisely present Prince printed produced Prospero published queen question reading relation Renaissance represented revision royal scene seems sense Shakespeare shows simply spectacle stage theater theatrical things tion tragedy true verse whole wife witches woman women