The Authentic Shakespeare: and Other Problems of the Early Modern StageIn this lavishly illustrated book, one of the most important and influential scholars of the Renaissance stage brings together essays that have changed the way we think about the age of Shakespeare. His subjects are varied and interconnected: the theater as social phenomenon, the development of the stage as an architectural presence and a cultural institution, the changing use of setting and costume, the changing status of the acting profession, the complex relation of theater to the political life of the age. Most of all, The Authentic Shakespeare is about how the modern constructs the past, how the texts that were performed on the Elizabethan stage became the books and editions that are, for our time, Renaissance drama. Many essays in The Authentic Shakespeare have become classics. Collected here for the first time, they essential reading for students of the Renaissance stage and the history of the book. |
From inside the book
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Page ix
... Andrea Alciato, Emblemata, Augsburg, 1531. Figure 8.11. Silence, from Andrea Alciato, Emblemata, Padua, 1621. Figure 8.12. The silent goddess Agenoria, from Pierre Cousteau, Pegma, Paris, 1555. Figure 8.13. Wifely Virtue, from Geoffrey ...
... Andrea Alciato, Emblemata, Augsburg, 1531. Figure 8.11. Silence, from Andrea Alciato, Emblemata, Padua, 1621. Figure 8.12. The silent goddess Agenoria, from Pierre Cousteau, Pegma, Paris, 1555. Figure 8.13. Wifely Virtue, from Geoffrey ...
Page xii
... Andrea Alciato , Emblemata , Augsburg , 1531 . Figure 8.11 . Silence , from Andrea Alciato , Emblemata , Padua , 1621 . Figure 8.12 . The silent goddess Agenoria , from Pierre Cousteau , Pegma , Paris , 1555 . Figure 8.13 . Wifely ...
... Andrea Alciato , Emblemata , Augsburg , 1531 . Figure 8.11 . Silence , from Andrea Alciato , Emblemata , Padua , 1621 . Figure 8.12 . The silent goddess Agenoria , from Pierre Cousteau , Pegma , Paris , 1555 . Figure 8.13 . Wifely ...
Page 52
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Contents
1 | |
7 | |
15 | |
21 | |
The Poetics of Spectacle | 49 |
The Spectacles of State | 71 |
The Renaissance Poet as Plagiarist | 89 |
Gendering the Crown | 107 |
Shakespeare and the Kinds of Drama | 143 |
Macbeth and the Antic Round | 159 |
Prosperos Wife | 173 |
Marginal Jonson | 187 |
Tobacco and Boys | 211 |
The Authentic Shakespeare | 231 |
Notes | 257 |
Index | 271 |
Other editions - View all
The Authentic Shakespeare, and Other Problems of the Early Modern Stage Stephen Orgel Limited preview - 2002 |
The Authentic Shakespeare: and Other Problems of the Early Modern Stage Stephen Orgel Limited preview - 2013 |
The Authentic Shakespeare, and Other Problems of the Early Modern Stage Stephen Orgel No preview available - 2002 |
Common terms and phrases
action actor appears argue argument Aristotle assertion assumption audience authentic authority become begin believe Blackness brother called catharsis certainly character claim classical clearly comedy consider copy costume course court critics deal designed drama edition editors effect Elizabeth Elizabethan England English Epigrams evidence example fact Figure final folio Hamlet hand Henry Holinshed imitation included Jones Jonson kind king Lady least less lines London look Macbeth magic manuscript Marlowe masque means merely mind nature observe original Oxford painting passage performance play poem poet Poetics poetry portrait practice precisely present Prince printed produced Prospero published queen question reading relation Renaissance represented revision royal scene seems sense Shakespeare shows simply spectacle stage theater theatrical things tion tragedy true verse whole wife witches woman women