Hartshorne and the Metaphysics of Animal RightsCharles Hartshorne is one of the premier metaphysicians and philosophers of religion in the twentieth century. He has written extensively on animals, both as a philosopher of nature and as an expert on bird song. Since the publication of Creative Synthesis and Philosophic Method in 1970, he has devoted a great deal of attention to animals. Among the main issues he advances is that the relationship between human beings and animals helps us to better understand our relationship with God. |
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Contents
A Brief History | 7 |
God and Noninvidious Contrasts | 27 |
Commonality with Animals | 41 |
Human Transcendence ofAnimality | 57 |
Foundations for a Humane Ethics | 69 |
Contributionism and Wordsworth | 86 |
Hartshorne and Plato | 104 |
The Aesthetic Analogy | 121 |
Conclusion | 132 |
Notes | 137 |
152 | |
156 | |
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absolute abstract actual occasions aesthetic analogy animal rights argument from marginal Aristotle beauty becoming bird song body Buddhism cells Chapter Christian claim classical theism Cobbe conception concern concrete contrast cosmic cosmos creativity creatures death defend deity difference dipolar dipolar theism divine duties entities ethical example existence experience feeling forms freedom God's Gunton Hartshorne thinks Hartshorne's theory Hartshorne's thought Hartshorne's view hence higher animals human individual animals Judaism killed least Leibniz live means metaphysical monopolar moral nature nervous system nonetheless nonhuman notion Oxford pain panentheism panpsychism pantheism passive person Peter Singer philosophic vegetarianism plants Plato position possible principle psychical rational reality reason regarding animals relations religions Rickaby self-moved sense sentiency singulars societies species speciesism Stephen R. L. Clark suffering supreme theology things thinker tradition transcendence treatment of animals Tyrrell understanding University Press vegetarianism Whitehead whole Wordsworth World Soul