Poetic Creation: Inspiration Or Craft |
Contents
Documentation and Experimentation | 3 |
Improvisation Rite and Myth | 35 |
Coleridge and His Dream Poem | 55 |
E A Poe and the Aesthetics of Work | 73 |
Paul Valéry and Le Cimetière marin | 91 |
The Writing of Ibsens Brand | 105 |
Gösta Berlings saga and Its Transformations | 119 |
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Common terms and phrases
aesthetic appears artistic Barron become believe called Cimetière marin Coleridge Coleridge's composers composition consciousness contemporary creative process describes dramatic dream Edgar Allan Poe Ekelöf elegies essay example experience fact feel final fragment genesis genre Gösta Berlings saga Gottfried Benn H. C. Andersen Henrik Ibsen his/her Ibid ideas images improvisation improvvisatore impulses inner inspiration interest Italian Jean Hytier Julius Bahle Kubla Khan later letter lines listening literary literature lyrical Madame de Staël Mallarmé manuscript material musical myth narrative Brand narrative poem never notebooks novel Oeuvres opium original Paris Paul Valéry period phenomenon Philosophy of Composition play Poe's poem's poet poet's poetry prose psychological published Quoted Ragnar Josephson rhythm rhythmic Rilke romantic says Schaffen scholars Selma Lagerlöf song speaks spontaneous stage stanza Stephen Spender Stockholm story Strindberg subconscious Swedish tion tradition transformed Valéry's verse words writing written wrote