The Human Mind: A Text-book of Psychology, Volume 1 |
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Page x
... Movement and Muscular Sense . 29. Demarcation of Muscular Sense , 29a . Theory of Muscular Sense , 30. Varieties of ... Movement : Sensations of Position , ( b . 2. ) Experience of Movement , ... 115 ... 115 ... 116 ... 117 ... 118 ...
... Movement and Muscular Sense . 29. Demarcation of Muscular Sense , 29a . Theory of Muscular Sense , 30. Varieties of ... Movement : Sensations of Position , ( b . 2. ) Experience of Movement , ... 115 ... 115 ... 116 ... 117 ... 118 ...
Page xii
... Movement as Source of Space - Consciousness , ( b ) Localisation of Skin - Sensations , ( d ) Other Modes of Space - Perception : Solidity , etc. , 7. Theories of Tactual Space - Consciousness , ... ... ... ... 215 216 ...
... Movement as Source of Space - Consciousness , ( b ) Localisation of Skin - Sensations , ( d ) Other Modes of Space - Perception : Solidity , etc. , 7. Theories of Tactual Space - Consciousness , ... ... ... ... 215 216 ...
Page 2
... movements , sounds , etc. The first is marked off as the subject- world , or as the domain of the conscious subject or ... Movement . Wherever we discover mind or mental activity , whether in ourselves , in other men , or in the lower ...
... movements , sounds , etc. The first is marked off as the subject- world , or as the domain of the conscious subject or ... Movement . Wherever we discover mind or mental activity , whether in ourselves , in other men , or in the lower ...
Page 3
... movement and phonation , man naturally thought of the soul or vital principle under a material form . It is not , however , to be supposed that this was the only or even the main motive . Phenomena , like shadows , images in water ...
... movement and phonation , man naturally thought of the soul or vital principle under a material form . It is not , however , to be supposed that this was the only or even the main motive . Phenomena , like shadows , images in water ...
Page 24
... movement of consciousness into discrete parts , we find that this is rendered difficult by the complexity of the phenomena and intricate interweaving of the several constituents , e.g. , the elements of sensation ( chill , trembling ...
... movement of consciousness into discrete parts , we find that this is rendered difficult by the complexity of the phenomena and intricate interweaving of the several constituents , e.g. , the elements of sensation ( chill , trembling ...
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Common terms and phrases
action afferent nerves analysis assimilation association basal ganglia bodily body brain by-and-by called central centres chap child colour colour-sensations complex conation concomitant connected connexion consciousness constituent correlated corresponding definite degree differentiation direction discrimination distinct distinguished effect elementary Encyclopædia Britannica excitation experience extent external fact factor feeling fibres function G. H. Lewes Hence Herbartian idea ideational illustrated impressions intensity involves J. S. Mill known Ladd localisation ment mental activity mind mode motor movement Münsterberg muscles muscular sensations nerve-cell nerve-centres nerves nervous process nervous system object observation organs particular perception peripheral physical Physiol physiological presentative element Principles of Psychology process of attention psychical elements psychical phenomena psychical processes psycho-physical psychosis recent recognised reference region relation result retina revival sensibility sensory skin sound stimulation structure Stumpf supposed tactual thing tion tones touch visual visual perception Wundt
Popular passages
Page 440 - The angles at the base of an isosceles triangle are equal to one another; and if the equal sides be produced, the angles -upon the other side of the base shall be equal.
Page 265 - Against the circle of the breast, Has never thought that " this is I : " But as he grows he gathers much, And learns the use of " I," and " me," And finds " I am not what I see, And other than the things I touch...
Page 292 - Had I it written, I would tear the word. Juliet. My ears have not yet drunk a hundred words Of that tongue's uttering, yet I know the sound: Art thou not Romeo, and a Montague? Romeo. Neither, fair maid, if either thee dislike. Juliet. How cam'st thou hither, tell me, and wherefore? The orchard walls are high and hard to climb, And the place death, considering who thou art...