Chimes at Midnight

Front Cover
Rutgers University Press, 1988 - Performing Arts - 340 pages
Among the films inspired by Orson Welles's lifelong involvement with Shakespeare, the greatest is Chimes at Midnight (1966). It is a masterly conflation of the Shakespearean history plays that feature Falstaff, the great comic figure played by Welles himself in the film. For Welles, the character was also potentially tragic: the doomed friendship between Falstaff and Prince Hal becomes an image of the end of an age. To this epic subject Welles brings the innovative film techniques that made him famous in Citizen Kane, TheLady from Shanghai, and Touch of Evil.

This volume offers a complete continuity script of Chimes at Midnight, including its famous battle sequence. Each shot is described in detail and is keyed to the original Shakesperian sources, thus making the volume an invaluable guide to Welles as an adaptor and creator of texts. The first complete transcription of the continuity script of Chimes is accompanied by the editor's critical introduction on Welles's transformation of Shakespeare; a special interview with Keith Baxter, one of the film's principal actors, which discusses its production history; reviews and articles; and a biographical sketch of Welles, a filmography, and a bibliography.

 

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Contents

Introduction New York World Journal Tribune
17
A Biographical The New Statesman John
294
Interviews Cahiers du Cinéma Serge
301
Reviews and Commentaries Rule and Misrule in Henry
307
New York Times Bosley Echoes of Art Dudley Andrew320
320
Filmography and Bibliography
326
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