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Abelard Addison admiration Ćneid ancient appears Aristotle beauty Belinda Boileau Bowles Canto character charms COMMENTARY Craggs Critic Dryden elegant Eloisa Eloisa to Abelard epic poetry Epistle Essay Essay on Criticism Euripides Ev'n ev'ry excellent eyes fair false fancy fate fools Fulvio Testi genius give Gnome grace hair heart heav'n hero Homer honour Horace Iliad IMITATIONS judge judgment Lady learn'd learning letters lines Lock Lord lov'd manner merit mind modern moral Muse nature NOTES numbers nymph o'er observed painted Paradise Lost passage passion piece pleas'd poem poet poetical poetry Pope Pope's pow'r praise pray'rs precepts pride quć Quintilian rage rise Rosicrucian rules sacred satire says sense shews shine Sophocles soul spirit striking Sylphs taste tears Thalestris thee thing thou thought tragedy translation trembling true truth Umbriel verse Vida Virgil Warburton Warton writing
Page 99 - The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar. When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Page 43 - Ten Censure wrong for one who Writes amiss ; A Fool might once himself alone expose, Now One in Verse makes many more in Prose. 'Tis with our Judgments as our Watches, none Go just alike, yet each believes his own.
Page 96 - True ease in writing comes from art, not chance ; As those move easiest who have learn'd to dance. 'Tis not enough no harshness gives offence ; The sound must seem an echo to the sense. Soft is the strain when zephyr gently blows, And the smooth stream in smoother numbers flows; . But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar...
Page 93 - In words, as fashions, the same rule will hold; Alike fantastic, if too new, or old: Be not the first by whom the new are tried, Nor yet the last to lay the old aside.
Page 184 - This day, black omens threat the brightest fair, That e'er deserv'da watchful spirit's care; Some dire disaster, or by force, or slight; But what, or where, the fates have wrapt in night. Whether the nymph shall break Diana's law, Or some frail china jar receive a flaw; Or stain her honour, or her new brocade; Forget her pray'rs, or miss a masquerade; Or lose her heart, or necklace, at a ball; Or whether Heav'n has doom'd that Shock must fall.
Page 79 - While from the bounded level of our mind, Short views we take, nor see the lengths behind; But more advanc'd, behold with strange surprise, New distant scenes of endless science rise!
Page 202 - fore Gad, you must be civil! "Plague on't! 'tis past a jest — nay prithee, pox! "Give her the hair" — he spoke, and rapp'd his box. "It grieves me much" (replied the Peer again) "Who speaks so well should ever speak in vain. But by this Lock, this sacred Lock I swear, (Which never more shall join its parted hair; Which...
Page 194 - T' inclose the lock ; now joins it, to divide. Ev'n then, before the fatal engine clos'd, A wretched sylph too fondly interpos'd ; Fate urg'd the shears, and cut the sylph in twain, (But airy substance soon unites again) The meeting points the sacred hair dissever From the fair head, for ever, and for ever ! Then flash'd the living lightning from her eyes, • And screams of horror rend th
Page 174 - To one man's treat, but for another's ball? When Florio speaks what virgin could withstand, If gentle Damon did not squeeze her hand? With varying vanities, from every part, They shift the moving Toyshop of their heart; Where wigs with wigs, with sword-knots sword-knots strive, Beaux banish beaux, and coaches coaches drive.